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WORKS 18521 – 18540 of 54187 IMAGES ONLY
Artist: UNKNOWN | Title: Hiroshima remembered | Date: c.1974

UNKNOWN

Hiroshima remembered

(c.1974)

Artist: Shorter, Barry. | Title: Hiroshima shadows. | Date: 1982 | Technique: lithograph

Barry Shorter (1934–)

Hiroshima shadows.

(1982)

lithograph

Artist: Debenham, Pam. | Title: Hiroshima. Never Again. | Date: 1983 | Technique: screenprint, printed in colour, from five stencils

Pam Debenham (1955–)

Hiroshima. Never Again.

(1983)

screenprint

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

His ain fireside.

(1912?)

etching

Title: His ancient trust drouthy cronie [title page] | Date: 1832 | Technique: etching, printed in black ink, from one plate

His ancient trust drouthy cronie [title page]

(1832)

etching

Artist: McCRAE, Hugh | Title: His Book Rober Henderson Croll. | Date: c.1940 | Technique: pencil and colour crayon

Hugh Mccrae (1876–1958)

His Book Rober Henderson Croll.

(c.1940)

pencil and colour crayon

Artist: Howe, Robert. | Title: His Excellency Lieutenant General Darling Govenor in Chief of New South Wales. | Date: 1827 | Technique: engraving, printed in black ink, from one copper plate

Robert Howe (1795–1829)

His Excellency Lieutenant General Darling Govenor in Chief of New South Wales.

(1827)

engraving

Richard Read Junior (1796–1862)

His Excellency Major Genl. Rd. Bourke Governor in Cheif of New South Wales.

(1835)

engraving

Title: His grace Archbishop Vaughan [recto]; Her royal highness the Princess Royal of England [verso] | Date: 1883 | Technique: lithograph, printed in colour, from multiple stones

His grace Archbishop Vaughan [recto]; Her royal highness the Princess Royal of England [verso]

(1883)

lithograph

Artist: Craig, Jacki. | Title: His ground is Australia | Date: (1980) | Technique: offset-lithograph, printed in black ink

Jacki Craig (1980–)

His ground is Australia

((1980))

offset-lithograph

Artist: Heyes, Ken. | Title: his home was a library that had been gathered with extreme care ...: it consisted of treasures whose value, as he often repeated, was proved by the fact that he had not read them. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

his home was a library that had been gathered with extreme care ...: it consisted of treasures whose value, as he often repeated, was proved by the fact that he had not read them.

(1984)

photocopy

Malcolm Osborne (1880–1963)

His Honor, Judge Parry.

Artist: Heyes, Ken. | Title: his innate nobility prevented him from developing his slight acquaintances into connections and from making new contacts. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

his innate nobility prevented him from developing his slight acquaintances into connections and from making new contacts.

(1984)

photocopy

Artist: LINDSAY, Lionel | Title: His only pair. | Date: 1937 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

His only pair.

(1937)

etching

Artist: Crowley, Cathy. | Title: Hispania presenta: Teatro y musica. | Date: 1979 | Technique: screenprint, printed in colour, from two stencils

Cathy Crowley (1979–)

Hispania presenta: Teatro y musica.

(1979)

screenprint

Bonita Ely (1946–)

Histories.

(1992)

lithograph

Artist: Ely, Bonita. | Title: Histories [1] | Date: 1992 | Technique: transfer-lithograph, printed in black ink, from one stone

Bonita Ely (1946–)

Histories [1]

(1992)

transfer-lithograph

Bonita Ely (1946–)

Histories [1-3]

(1992)

transfer-lithograph and woodblock

Artist: Ely, Bonita. | Title: Histories [2] | Date: 1992 | Technique: transfer-lithograph, printed in black ink, from one stone

Bonita Ely (1946–)

Histories [2]

(1992)

transfer-lithograph

Artist: Ely, Bonita. | Title: Histories [3] | Date: 1992 | Technique: woodblock, printed in black ink

Bonita Ely (1946–)

Histories [3]

(1992)

woodblock