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WORKS 14281 – 14300 of 54405 IMAGES ONLY
Artist: Thomas, Edmund. | Title: Far o'er the sea | Date: 1857 | Technique: lithograph, printed in colour, from two stones (black ink and buff tint)

Edmund Thomas (1827–1867)

Far o'er the sea

(1857)

lithograph

Artist: MEYER, Bill | Title: Faraway tree | Date: 1987 | Technique: screenprint, printed in colour, from multiple screens | Copyright: © Bill Meyer

Bill Meyer (1942–)

Faraway tree

(1987)

screenprint

Artist: MEYER, Bill | Title: Faraway tree two | Date: 1987 | Technique: screenprint, printed in eleven colours, from one direct emulsion reduction screen and two hand drawn with charcoal on acetate for indirect photo stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Faraway tree two

(1987)

screenprint

Title: Farewell old Florentine friends | Date: 2009 | Technique: linocut, printed in black ink, from one block

Farewell old Florentine friends

(2009)

linocut

Artist: Brown, Geoffrey | Title: Farewell party announcement [recto]. | Date: c.1966 | Technique: screenprint, printed in colour, from multiple stencils; wax crayon additions

Geoffrey Brown (1926–2014)

Farewell party announcement [recto].

(c.1966)

screenprint

Artist: Brown, Geoffrey | Title: Farewell party announcement [verso]. | Date: c.1966 | Technique: linocut, printed in black ink, from one block

Geoffrey Brown (1926–2014)

Farewell party announcement [verso].

(c.1966)

linocut

Artist: Simon, Bruno. | Title: Farewell to city and peace | Date: 1941 | Technique: monotype, printed in brown ink, from one plate

Bruno Simon (1913–1999)

Farewell to city and peace

(1941)

monotype

Cathie Ferrie (1912–)

Farewell to Satchmo.

(c.1973)

lithograph

Artist: Hall, Wayne. | Title: Farewell to this millennium | Date: 1999, November | Technique: etching, printed in sepia ink, from one plate

Wayne Hall (1959–)

Farewell to this millennium

(1999, November)

etching

Farewell to this millennium.

(1999)

etching

Artist: Hall, Wayne. | Title: Farewell to this millennium | Date: 1999 | Technique: etching, printed in sepia ink, from one plate

Wayne Hall (1959–)

Farewell to this millennium

(1999)

etching

Artist: Gerard, Johannes C. | Title: Farewell to well known horizon [no. 7098] | Date: 1993 | Technique: linocut, printed in black ink, from one block

Johannes C. Gerard (1959–)

Farewell to well known horizon [no. 7098]

(1993)

linocut

Artist: Halpern, Frederick. | Title: Farida | Date: c.1960 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of Frederick Halpern's estate

Frederick Halpern (1909–)

Farida

(c.1960)

etching and drypoint

Artist: Coleman, Constance. | Title: (Farm). | Date: c.1944 | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

Constance Coleman (1903–1990)

(Farm).

(c.1944)

etching and foul biting

Bruce Robertson (1872–1943)

Farm bridge, Hunter River.

etching

W.G. Grant (1876–1951)

(Farm buildings)

(c.1928)

drypoint

Artist: Crisp, James. | Title: Farm corner. | Date: 1923 | Technique: etching, printed in warm black ink with plate-tone, from one plate

James Crisp (1879–1962)

Farm corner.

(1923)

etching

Artist: Jack, Kenneth. | Title: Farm Gate, Portland | Date: 1954 | Technique: lithograph, printed in purple-brown ink, from one zinc plate | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

Farm Gate, Portland

(1954)

lithograph

Artist: Mather, John. | Title: Farm house | Date: 1901 | Technique: etching and aquatine, printed in brown ink, from one plate

John Mather (1848–1916)

Farm house

(1901)

etching and aquatine

Artist: Rees, Lloyd. | Title: Farm house Majorca | Date: 1976 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Farm house Majorca

(1976)

softground-etching