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Artist: WILLIAMS, Fred | Title: Decorative panel, You Yangs. Number 1 | Date: 1965-66 | Technique: etching, drypoint, flat biting and mezzotint, printed in black ink, from one copper plate; counterproof | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Decorative panel, You Yangs. Number 1

(1965-66)

etching

Artist: WILLIAMS, Fred | Title: Decorative panel, You Yangs. Number 3 | Date: 1965-66 | Technique: etching, flat biting, mezzotint, engraving, printed in black ink with plate-tone | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Decorative panel, You Yangs. Number 3

(1965-66)

etching

Mark Denton (1961–)

Decorative Piece for a State Function.

Artist: Barker, H. Neville. | Title: Decorous interlude. | Date: 1934 | Technique: etching, printed in black ink, from one plate

H. Neville Barker (1903–1981)

Decorous interlude.

(1934)

etching

Artist: Brodie, Jim. | Title: Deddington Tasmania. | Date: 1992 | Technique: screenprint, printed in colour, from six stencils | Copyright: This work appears on screen courtesy of Jim Brodie

Jim Brodie (1946–)

Deddington Tasmania.

(1992)

screenprint

Artist: Whitelocke, Nelson P. | Title: Dedicated by permission to His Excellency Rt. Hon. Lord Augustus W.F.S. Loftus, G.C.B. | Date: 1885 | Technique: lithograph, printed in colour, from two stones

Nelson P. Whitelocke (1861–1927)

Dedicated by permission to His Excellency Rt. Hon. Lord Augustus W.F.S. Loftus, G.C.B.

(1885)

lithograph

Title: Dedication | Date: 1932 | Technique: linocut, printed in black ink, from one block

Dedication

(1932)

linocut

Louisa Anne Meredith (1812–1895)

Dedication page

((1860))

lithograph

Title: Dedication page for Bruno Leti: Landscapes, memories and fantasies | Date: 1987 | Technique: offset-lithograph, printed in black ink, from one plate

Dedication page for Bruno Leti: Landscapes, memories and fantasies

(1987)

offset-lithograph

Helen Farmer (1888–1970)

Dee Bridge, Chester.

Sydney Long (1871–1955)

Dee Why.

Artist: Long, Sydney. | Title: Dee Why landscape | Date: 1928 | Technique: line-etching, printed in red-brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Dee Why landscape

(1928)

line-etching

Squire Morgan (1886–1974)

Dee Why sketch.

(1924)

etching

Artist: Lungley, Dorothy. | Title: Deep blue sea. | Date: 1932 [about]

Dorothy Lungley (1888–1956)

Deep blue sea. | Fish talk.

(1932 [about])

Rod Albury (1944–)

Deep Brown.

(1973 (exhibited))

etching and aquatint

Artist: Gill, S.T. | Title: Deep Creek, mail and passangers en route to Melbourne. | Date: 1855-56 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Deep Creek, mail and passangers en route to Melbourne.

(1855-56)

lithograph

Helen Farmer (1888–1970)

Deep Creek, Narrabeen Lake.

Artist: Warren, Guy. | Title: Deep forest. | Date: 1987 | Technique: linocut, printed in black ink, from one block

Guy Warren (1921–2024)

Deep forest.

(1987)

linocut

Artist: Gill, S.T. | Title: Deep sinking, Ballarat. | Date: 1855-56 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

Deep sinking, Ballarat.

(1855-56)

lithograph

Stewart Merrett (1943–)

Deep water duel

(1986)

screenprint