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WORKS 7701 – 7720 of 54396 IMAGES ONLY

Lionel Lindsay (1874–1961)

Camellias.

Lionel Lindsay (1874–1961)

Camellias.

Artist: LINDSAY, Lionel | Title: Camellias | Date: 1939 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Camellias

(1939)

wood-engraving

Artist: LINDSAY, Lionel | Title: Camellias | Date: 1922 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Camellias

(1922)

spirit-aquatint

Artist: Napurrula Long, Dora. | Title: Camelo and watiya | Date: 2004 | Technique: drypoint etching, printed in brown ink, from one perspex plate

Dora Napurrula Long (1935–)

Camelo and watiya

(2004)

drypoint etching

Allan Jordan (1898–1982)

Camels " ".

C.H. Percival (1891–1940)

Camels Drinking, Egypt.

etching

John A. Gardner (1906–1987)

(Camels eating).

(1934 (about))

monotype

Artist: Japanangka Lewis, Paddy. | Title: Camelu | Date: 2004 | Technique: drypoint etching, printed in brown ink, from one perspex plate

Paddy Japanangka Lewis (1925–2011)

Camelu

(2004)

drypoint etching

Artist: WALKER, Murray | Title: Cameos of beautiful people today. | Date: 1973 | Technique: etching, printed in black ink, from one plate

Murray Walker (1937–)

Cameos of beautiful people today.

(1973)

etching

Artist: Blackman, Charles. | Title: Camera man. | Date: 1984 | Technique: screenprint, printed in black ink, from one stencil

Charles Blackman (1928–2018)

Camera man.

(1984)

screenprint

Artist: Monet, Jason. | Title: Camille | Date: 1988 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Jason Monet (1938–)

Camille

(1988)

lithograph

Artist: Elliott, Fred W. | Title: Camp at Casey Range | Date: 1997, February | Technique: photo-lithograph, printed in black ink, from one stone | Copyright: By courtesy of the artist

Fred W. Elliott

Camp at Casey Range

(1997, February)

photo-lithograph

Camp buildings, Beechworth.

(c.1855)

lithograph

Sydney Long (1871–1955)

Camp in the forest.

Artist: Hirschfeld Mack, Ludwig. | Title: Camp Orange | Date: 1941, May-July | Technique: woodcut, printed in brown ink, from one block

Ludwig Hirschfeld Mack (1893–1965)

Camp Orange

(1941, May-July)

woodcut

Artist: Wonderful Art Nuances Club (WANC). | Title: Campaign to ban use of 1080 poison in our forests. (Poster for Environment Protest Street Exhibition and Street Theatre) | Date: (1976) | Technique: linocut, printed in colour, from three blocks | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

Wonderful Art Nuances Club (WANC). (1976–)

Campaign to ban use of 1080 poison in our forests. (Poster for Environment Protest Street Exhibition and Street Theatre)

((1976))

linocut

Artist: LINDSAY, Lionel | Title: Campbell the piper. An old Sydney identity. | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Campbell the piper. An old Sydney identity. | The daft piper | The wee piper

(1925)

wood-engraving

Artist: PROUT, John Skinner | Title: Campbell's Warf, Sydney Cove. | Date: 1842 | Technique: lithograph, printed in colour, from two stones (black and brown tint stone); letterpress text

John Skinner Prout (1805–1876)

Campbell's Warf, Sydney Cove. | Campbell's Wharf, Sydney Cove

(1842)

lithograph

Geoffrey Ingleton (1908–1998)

Campbell's Wharf - May, 1810, showing the departure of Captain Bligh and Campbell from Sydney Cove in H.M.S. Hindustan.

(1930s)

etching