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WORKS 52901 – 52920 of 54414 IMAGES ONLY
Artist: STANTON, John | Title: Why pay to be killed | Technique: screenprint, printed in colour, from multiple stencils

John Stanton

Why pay to be killed

screenprint

Title: Why People go to Traffic Accidents | Date: 1987

Why People go to Traffic Accidents

(1987)

Norman Lindsay (1879–1969)

Why we must win the war

Artist: Gibb, Viva Jillian. | Title: Why? Man's monstrous crime vivisection | Technique: woodcut, printed in black ink, from one block

Viva Jillian Gibb (1945–2017)

Why? Man's monstrous crime vivisection

woodcut

Artist: Courier, Jack. | Title: Whyalla. | Technique: lithograph, printed in black ink, from one stone [or plate]

Jack Courier (1915–2007)

Whyalla.

lithograph

Artist: Boag, Yvonne. | Title: Whyalla | Date: c.1982 | Technique: lithograph, printed in black ink, from one stone [or plate] | Copyright: © Yvonne Boag

Yvonne Boag (1954–)

Whyalla

(c.1982)

lithograph

Ruth Faerber (1922–2024)

Wide Angle Vision

(1970)

lithograph

Title: Wide arsed mole [issue] 4 | Date: 1999 | Technique: photocopy, printed in black ink, from collaged artwork

Wide arsed mole [issue] 4

(1999)

photocopy

Frank Benson (1862–1951)

Widgeon Rising.

Philip Gudthaykudthay (1925–)

Widitj | Python

(1998, July)

screenprint

Artist: Thompson, Maureen. | Title: Widow in sorry time | Date: 2002 | Technique: linocut, printed in black ink, from one block

Maureen Thompson (1936–)

Widow in sorry time

(2002)

linocut

Artist: Manydjarri, Wilson. | Title: Wife burning Ngalindi at Dan Dam alan gunham una | Date: 1971 | Technique: linocut, printed in red-brown ink, from one block

Wilson Manydjarri (1948–)

Wife burning Ngalindi at Dan Dam alan gunham una

(1971)

linocut

Artist: Fernyhough, William. | Title: Wife of Cullabaa. Broken Bay Tribe. | Date: 1836 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Fernyhough (1809–1849)

Wife of Cullabaa. Broken Bay Tribe. | Punch. Wife of Cullabaa. Broken Bay Tribe.

(1836)

pen-lithograph

Cecil King Wungi (1952–1984)

[Wigman and faces].

(c.1981)

screenprint

Artist: Namok, Rosella. | Title: Wiimumu paampaanya mayi | Date: 1997, August | Technique: screenprint, printed in grey and red ochre ink, from two stencils

Rosella Namok (1979–)

Wiimumu paampaanya mayi

(1997, August)

screenprint

Artist: Olsen, John. | Title: Wild camels | Date: 1976 | Technique: aquatint, printed in black ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Wild camels

(1976)

aquatint

John P. Neeson (1948–)

Wild dead things.

(1985)

etching and open bite

Artist: WILLIAMS, Fred | Title: Wild Dog Creek I | Date: 1977-78 | Technique: lithograph, printed in black ink, from one plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Wild Dog Creek I

(1977-78)

lithograph

Artist: WILLIAMS, Fred | Title: Wild Dog Creek II | Date: 1977-78 | Technique: lithograph, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Wild Dog Creek II

(1977-78)

lithograph

Artist: Megalo Screenprinting Collective. | Title: Wild dog series no.3 | Date: 1981 | Technique: screenprint, printed in colour, from three stencils

Megalo Screenprinting Collective. (1980–)

Wild dog series no.3

(1981)

screenprint