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WORKS 52681 – 52700 of 54593 IMAGES ONLY
Artist: Cotton, Shane. | Title: Welcome. | Date: 2004 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Shane Cotton, represented by Sherman Galleries, Sydney

Shane Cotton (1964–)

Welcome.

(2004)

lithograph

Artist: Dyson, Will. | Title: Welcome back to the Somme. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

Welcome back to the Somme.

(1918)

lithograph

Pamela Griffith (1943–)

Welcome Sisters.

(1994)

hardground-etching and aquatint

Title: Welcome to Australia | Date: 2010 | Technique: stencil, sprayed in black aerosol paint, from one stencil

Welcome to Australia

(2010)

stencil

Welcome to Australia (part A)

(2010)

stencil

Welcome to Australia (part B)

(2010)

stencil

Artist: McMahon, Marie. | Title: Welcome to the opening: South Sydney Womens Centre | Date: 1976 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Marie McMahon. Licensed by VISCOPY, Australia

Marie Mcmahon (1953–)

Welcome to the opening: South Sydney Womens Centre

(1976)

screenprint

Artist: EARTHWORKS POSTER COLLECTIVE | Title: Welcome to the opening: South Sydney Womens Centre | Date: 1976 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Marie McMahon. Licensed by VISCOPY, Australia

EARTHWORKS POSTER COLLECTIVE (1972–1979)

Welcome to the opening: South Sydney Womens Centre

(1976)

screenprint

Artist: Nedelkopoulos, Nicholas. | Title: Welcome to the world, - Cop this. | Date: 1986-88 | Technique: etching and aquatint, printed in black ink, from one plate

Nicholas Nedelkopoulos (1955–)

"Welcome to the world, - Cop this".

(1986-88)

etching and aquatint

Artist: COLEING, Tony | Title: Welcome to the world, - Cop this. | Date: 1986-88 | Technique: etching and drypoint, printed in black ink, from one plate

Tony Coleing (1942–)

"Welcome to the world, - Cop this".

(1986-88)

etching and drypoint

Artist: Nedelkopoulos, Nicholas. | Title: Welcome to the world, - Cop this | Date: 1986-88 | Technique: etching and drypoint, printed in black ink, from one plate

Nicholas Nedelkopoulos (1955–)

"Welcome to the world, - Cop this"

(1986-88)

etching and drypoint

Artist: Burgess, Peter. | Title: welfare: war feel. | Date: 2001 | Technique: computer generated inkjet prints, printed in colour, from digital files

Peter Burgess (1952–)

welfare: war feel. | Art & letters, Part 1

(2001)

computer generated inkjet prints

Artist: MEYER, Bill | Title: Well .....Um | Date: 1992 | Technique: etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Well .....Um

(1992)

etching

Well dressed vandals sticker

screenprint

Artist: Eather, Michael. | Title: Well hello dole. | Date: 1983 | Technique: screenprint, printed in black ink, from one stencil

Michael Eather (1963–)

Well hello dole.

(1983)

screenprint

Artist: Brooks, Kevin. | Title: Well hung - New Nimrod. | Date: c.1975

Kevin Brooks (1975–)

Well hung - New Nimrod.

(c.1975)

Kathleen Coyle (1958–)

Well spent.

(1984)

screenprint

Artist: Moffitt, William. | Title: Wellington Brewery, Edward Fagan, Brewer. | Date: 26 December 1832 (published) | Technique: engraving, printed in blue ink, from one copper plate

William Moffitt (1802–1873)

Wellington Brewery, Edward Fagan, Brewer.

(26 December 1832 (published))

engraving

William Moffitt (1802–1873)

Wellington brewery, Edward Fagan, Brewer.

(26 December 1832 (published))

engraving

Artist: Atkinson, Charles. | Title: Wellington Bridge, Elizabeth street. | Date: 2 October 1833 (advertisement) | Technique: lithograph, printed in black ink, from one stone

Charles Atkinson (1806–1837)

Wellington Bridge, Elizabeth street.

(2 October 1833 (advertisement))

lithograph