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WORKS 52661 – 52680 of 54414 IMAGES ONLY
Artist: MEYER, Bill | Title: What's she thinking of? | Date: 1981 | Technique: screenprint, printed four colours, from three screens (photo-indirect with half-tone and open block-out)

Bill Meyer (1942–)

What's she thinking of?

(1981)

screenprint

Artist: Mambo. | Title: What's so funny about peace, love and understanding? | Date: c.1985 | Technique: offset-lithograph, printed in colour, from multiple plates

Mambo. (1981–)

What's so funny about peace, love and understanding?

(c.1985)

offset-lithograph

Artist: WORSTEAD, Paul | Title: What's so wrong with Raymond Terrace. | Date: 1979 | Technique: screenprint, printed in colour, from two stencils, | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

What's so wrong with Raymond Terrace.

(1979)

screenprint

Artist: REDBACK GRAPHIX | Title: What's wrong with this picture?. | Date: 1983 | Technique: screenprint, printed in colour, from multiple stencils

REDBACK GRAPHIX (1980–1994)

What's wrong with this picture?.

(1983)

screenprint

Artist: WORSTEAD, Paul | Title: What's your problem Buddy, no. 29. | Date: c.1976 | Technique: screenprint, on collage of offset-lithograph and photocopy | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

What's your problem Buddy, no. 29.

(c.1976)

screenprint

Frank Gohier (1968–)

Whatever happened to the revolution?

(2001, April)

screenprint

Artist: Waller, Ruth. | Title: Whatever you are, be a man ... | Date: 1977 | Technique: photograpic reproductions

Ruth Waller (1955–)

"Whatever you are, be a man ..."

(1977)

photograpic reproductions

Artist: ACCESS 8 | Title: WHC 19th Anniversay poster | Date: 1991 | Technique: screenprint, printed in red, green and black ink, from three stencils

ACCESS 8

WHC 19th Anniversay poster

(1991)

screenprint

Artist: Megalo Screenprinting Collective. | Title: Wheeeeeeeeeeeeee sky diver corgi | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Megalo Screenprinting Collective. (1980–)

Wheeeeeeeeeeeeee sky diver corgi

(1981)

screenprint

Gava Aura (1970–)

Wheel Bug and Beetle.

(by 1975)

Monotype

Artist: BALDESSIN, George | Title: Wheel of fortune. | Date: 1964 | Technique: etching, printed in black ink, from one plate

George Baldessin (1939–1978)

Wheel of fortune.

(1964)

etching

Artist: BALDESSIN, George | Title: Wheel of fortune. | Date: 1964 | Technique: etching, printed in black ink, from one plate

George Baldessin (1939–1978)

Wheel of fortune.

(1964)

etching

Artist: BALDESSIN, George | Title: Wheel of life. | Date: 1965 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

Wheel of life.

(1965)

etching and aquatint

Tate Adams (1922–2018)

(Wheelbarrow).

(1981)

wood engraving

Artist: Preston, Margaret. | Title: Wheelflower. | Date: 1929 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Wheelflower. | Stenocarpus wheelflower Australian

(1929)

woodcut

Artist: Allen, Joyce. | Title: (Wheels and knobs). | Date: (1960s) | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Joyce Allen (1916–1992)

(Wheels and knobs).

((1960s))

etching and aquatint

Martin Hardie (1875–1952)

Wheelwirghts, Falaise.

Artist: Nedelkopoulos, Nicholas. | Title: When Beauty, is just as important as the lighting | Date: 1976 | Technique: etching, printed in black ink, from one plate

Nicholas Nedelkopoulos (1955–)

When Beauty, is just as important as the lighting

(1976)

etching

Artist: Heyes, Ken. | Title: When I came out of the study, I found him at the mouth of the cave. He was stretched out on the sand, where he was tracing clumsily and erasing a string of signs that, like the letters in our dreams; seem on the verge... | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

When I came out of the study, I found him at the mouth of the cave. He was stretched out on the sand, where he was tracing clumsily and erasing a string of signs that, like the letters in our dreams; seem on the verge...

(1984)

photocopy

Salvatore Zofrea (1946–)

When I first met Stephanie

(1994-1999)

woodcut