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WORKS 51401 – 51420 of 54410 IMAGES ONLY

Eliezer Levi Montefiore (1820–1894)

View of Tahiti.

Artist: Lycett, Joseph. | Title: View of Tasman's Peak, from Macquarie Plains, Van Diemen's Land. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Tasman's Peak, from Macquarie Plains, Van Diemen's Land.

(1 March 1825 (imprint))

etching and aquatint

Artist: Claux, Eugene. | Title: (View of Terrace house backyards, Sydney). | Date: 1946 | Technique: etching and aquatint, printed in black ink with plate-tone, from one copper plate

Eugene Claux (1929–1950)

(View of Terrace house backyards, Sydney).

(1946)

etching and aquatint

William Baker (1806–1857)

View of the City from the North Shore.

(18 November 1843 (advertised))

Artist: Rowe, George. | Title: View of the City of Melbourne. | Date: 1858 | Technique: lithograph, printed in colour, from multiple stones

George Rowe (1796–1864)

View of the City of Melbourne.

(1858)

lithograph

Joseph Lycett (1775–1828)

View of the country round Hobart Town, in Van Diemen's Land

(1840)

lithograph

Joseph Lycett (1775–1828)

View of the country round Hobart Town, in Van Diemen's Land.

(1840)

lithograph

Elizabeth Hudspeth (1820–1858)

View of the Derwent.

(1855)

lithograph

Artist: Lycett, Joseph. | Title: View of the Female Orphan School, near Parramatta, New South Wales. | Date: 1 January 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Female Orphan School, near Parramatta, New South Wales.

(1 January 1825 (imprint))

etching and aquatint

Artist: Whiteley, Brett. | Title: View of the garden | Date: 1977 | Technique: lithograph, printed in black ink, from one stone | Copyright: This work appears on the screen courtesy of the estate of Brett Whiteley

Brett Whiteley (1939–1992)

View of the garden

(1977)

lithograph

Artist: Lycett, Joseph. | Title: View of the Governor's Retreat, New Norfolk, Van Diemen's Land. | Date: 1 January 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Governor's Retreat, New Norfolk, Van Diemen's Land.

(1 January 1825 (imprint))

etching and aquatint

Artist: Sainson, Louis de. | Title: View of the Heads - Port Jackson. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Louis de Sainson (1801–1887)

View of the Heads - Port Jackson.

(1833)

lithograph

Artist: Lycett, Joseph. | Title: View of the Heads, at the Entrance to Port Jackson, New South Wales. | Date: 1 October 1824 | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured in watercolour

Joseph Lycett (1775–1828)

View of the Heads, at the Entrance to Port Jackson, New South Wales.

(1 October 1824)

etching

Artist: Lycett, Joseph. | Title: View of the Heads, at the Entrance to Port Jackson, New South WalesX | Date: 1 October 1824 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand- coloured

Joseph Lycett (1775–1828)

View of the Heads, at the Entrance to Port Jackson, New South WalesX

(1 October 1824 (imprint))

etching and aquatint

Lawrence Daws (1927–2025)

View of the Himalayas from the Glasshouse Mountains.

(1978)

aquatint

Lawrence Daws (1927–2025)

View of the Himalayas from the Glasshouse Mountains.

(1978)

aquatint

Lawrence Daws (1927–2025)

View of the Himalayas from the Glasshouse Mountains.

(1977 - 1978)

etchings

Charles Henty Kettle (1820–1862)

View of the Lower Harbour of Otago, from Port Chalmers (1840), from the original picture by C.H. Kettle. Size, 17 x 30 in. Mounted, and framed in oak, with gilt slip. Rare.

H. Nash (1850s-60s)

View of the Opening of Princes Bridge, Melbourne on Friday 15th November, 1850. To commemorate thearrival of seperation.

(1850)

lithograph

Title: View of the seat of Ultimo, near Sydney, in New South Wales. | Date: 1 February 1813 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

View of the seat of Ultimo, near Sydney, in New South Wales.

(1 February 1813 (imprint))

etching and engraving