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WORKS 51381 – 51400 of 54410 IMAGES ONLY
Artist: Lycett, Joseph. | Title: View of Port Macquarie at the entrance of the River Hastings, New South Wales. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Port Macquarie at the entrance of the River Hastings, New South Wales.

(1 March 1825 (imprint))

etching and aquatint

View of residence, near Paramatta, the property of John McArthur, Esq. New South Wales.

Artist: Lycett, Joseph. | Title: View of Roseneath Ferry, taken from the east side, Van Diemen's Land. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Roseneath Ferry, taken from the east side, Van Diemen's Land.

(1 March 1825 (imprint))

etching and aquatint

A. J. Stopps (1833–1931)

View of Sandhurst.

(1853)

lithograph

Title: View of Sharks Bay, in New South Wales. Taken from Vinegar Hill. | Date: 1812 | Technique: etching and engraving, printed in black ink, from one copper plate

View of Sharks Bay, in New South Wales. Taken from Vinegar Hill.

(1812)

etching and engraving

Laurie & Whittle. (1814–)

View of Sidney [Sydney] in New South Wales (taken from Bell Mount).

(12 April 1814 (imprint))

engraving

Title: View of Sir Edward Pellew's Group - Gulph (sic) of Carpentaria. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

View of Sir Edward Pellew's Group - Gulph (sic) of Carpentaria.

(1814)

engraving

View of Snug Corner Cove, in Prince William Sound.

(1784)

engraving

Artist: Courier, Jack. | Title: View of St Ives, Cornwall. | Date: c.1955 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Jack Courier (1915–2007)

View of St Ives, Cornwall.

(c.1955)

lithograph

William Baker (1806–1857)

[View of St. Mary's Cathedral].

(December 1840 (published))

Artist: Furlonger, Joe. | Title: View of St. Pats 3 | Date: 1992 | Technique: softground etching and drypoint, printed in black ink, from one plate

Joe Furlonger (1952–)

View of St. Pats 3

(1992)

softground etching and drypoint

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (clean plate) | Date: 1992 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (clean plate)

(1992)

drypoint

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (dark plate) | Date: 1992 | Technique: etching, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (dark plate)

(1992)

etching

Artist: Haefliger, Paul. | Title: View of Sydney | Date: 1933 | Technique: woodcut, printed in colour, from multiple blocks

Paul Haefliger (1914–1982)

View of Sydney

(1933)

woodcut

View of Sydney and Mossman's Bay, looking south west | Mossman's [sic.] Bay, looking south west

(1880)

lithograph

Artist: Cooke, George. | Title: View of Sydney and the mouth of the Parramatta. | Date: 1 December 1811 (imprint) | Technique: engraving, printed in black ink, from one copper plate; subsequently hand-coloured in water-colour

George Cooke (1781–1834)

View of Sydney and the mouth of the Parramatta.

(1 December 1811 (imprint))

engraving

William Spreat (1817–1896)

View of Sydney from above Vaucluse.

(1848)

Artist: Boys, Thomas Shotter. | Title: View of Sydney from St. Leonards | Date: 11 September 1843 (imprint) | Technique: lithograph, printed in colour, from multiple stones; hand-coloured

Thomas Shotter Boys (1803–1874)

View of Sydney from St. Leonards | Sydney from the North Shore

(11 September 1843 (imprint))

lithograph

View of Sydney from St. Leonards | Sydney from the North Shore

(1843)

lithograph

Conrad Martens (1801–1878)

View of Sydney. N.S.W.