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WORKS 51321 – 51340 of 54410 IMAGES ONLY
Artist: Lycett, Joseph. | Title: View in Bathurst Plains near Queen Charlotte's Valley. | Date: 1 July 1824 | Technique: lithograph, printed in black ink, from one stone; Hand-coloured

Joseph Lycett (1775–1828)

View in Bathurst Plains near Queen Charlotte's Valley.

(1 July 1824)

lithograph

Artist: Martens, Conrad. | Title: View in Double Bay, Port Jackson. | Date: 1850-59 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Conrad Martens (1801–1878)

View in Double Bay, Port Jackson.

(1850-59)

lithograph

Artist: Martens, Conrad. | Title: View in Double Bay, Port Jackson. | Date: 1850 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Conrad Martens (1801–1878)

View in Double Bay, Port Jackson.

(1850)

lithograph

Artist: PROUT, John Skinner | Title: View in George Street, Sydney. | Date: 1842 | Technique: lithograph, printed in colour, from two stones (black and brown tint stone)

John Skinner Prout (1805–1876)

View in George Street, Sydney. | View in George Street, Sydney, looking North [in list of plates]

(1842)

lithograph

Artist: PROUT, John Skinner | Title: View in George Street, Sydney, looking North | Date: 1842 | Technique: lithograph, printed in black ink, from stone with hand-colouring

John Skinner Prout (1805–1876)

View in George Street, Sydney, looking North | View in George Street, Sydney, looking North [in list of plates]

(1842)

lithograph

Thomas Prattent (1752–1813)

View in Port Jackson.

(13 July 1789 (imprint))

A.H. Fullwood (1863–1930)

View in St James' Park, London.

Title: View in the Island of Pines | Date: 1 February 1777 (imprint) | Technique: engraving, printed in black ink, from one copper plate

View in the Island of Pines

(1 February 1777 (imprint))

engraving

John Shillibeer (1786–1841)

View in the island of Sta Christina Marquesas

(1817)

etching

View in the Island of Tanna.

(1777)

engraving

H.B.W. Allan (1804–1838)

View in the suburbs of Melbourne 1842.

(1842 (?))

lithograph

Charles Goddard (1823–1867)

View near the Flag Staff. South Head: Showing the spot where the Dunbar was wrecked on the night of the 20th August 1857 [published by Goddard].

(13 October 1857)

Artist: Cogne, Francois. | Title: View near the swamp 1859. | Date: c.1859 | Technique: lithograph, printed in colour, from two stones (black image, cream tint-stone)

Francois Cogne (1829–1883)

View near the swamp 1859.

(c.1859)

lithograph

Artist: SELLBACH, Udo | Title: (View of a city street) | Date: 1950 | Technique: lithograph, printed in black ink, from one stone [or plate]

Udo Sellbach (1927–2006)

(View of a city street)

(1950)

lithograph

Charles Heaphy (1820–1881)

View of a Part of the Town of Wellington, New Zealand, looking towards the South East, comprising about one-third of the Water Frontage, from the original picture by C. Heaphy in 1841. Size, 17 x 22½ in. Mounted, and framed in oak, with gilt slip. Rare.

Adrian Feint (1894–1971)

(View of bay).

(c.1925)

engraved copper plate

Artist: Lycett, Joseph. | Title: View of Captain Piper's Naval Villa, at Eliza Point near Sydney, New South Wales. | Date: 1 May 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Captain Piper's Naval Villa, at Eliza Point near Sydney, New South Wales.

(1 May 1825 (imprint))

etching and aquatint

View of Charlotte Sound in New Zealand.

(1788)

etching and aquatint

Artist: EWINS, Rod | Title: View of Droughty Pt from Sandy Bay. | Date: 1969 | Technique: screenprint, etching and router-cut woodcut

Rod Ewins (1940–)

View of Droughty Pt from Sandy Bay.

(1969)

screenprint

Artist: Bell, Greg. | Title: View of East End. | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Greg Bell (1960–)

View of East End.

(1985)

screenprint