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WORKS 51301 – 51320 of 54410 IMAGES ONLY
Artist: McCarlie, Margaret. | Title: View from Newcastle II | Date: 1984 | Technique: etching and aquatint

Margaret Mccarlie (1932–)

View from Newcastle II

(1984)

etching and aquatint

Jessie Traill (1881–1967)

View from old Temple Court.

(1923)

etching

Artist: Flett, James. | Title: View from Perrins Creek Road, Olinda. | Date: (1932) | Technique: etching and aquatint, printed in green ink, from one plate

James Flett (1906–1986)

View from Perrins Creek Road, Olinda.

((1932))

etching and aquatint

Artist: UNKNOWN AUSTRALIAN ARTIST, | Title: View from Studley Park. | Date: 1864 | Technique: lithograph, printed in colour, from two stones

UNKNOWN AUSTRALIAN ARTIST,

View from Studley Park.

(1864)

lithograph

Jessie Traill (1881–1967)

View from Temple Court, Collins St. Melbourne.

Artist: Trethowan, Edith. | Title: View from the back door. | Date: c.1932 | Technique: wood-engraving, printed in black ink, from one block

Edith Trethowan (1901–1939)

View from the back door.

(c.1932)

wood-engraving

Artist: LINDSAY, Lionel | Title: View from the balcony, Killara, looking west. | Date: 1931 | Technique: aquatint and etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

View from the balcony, Killara, looking west.

(1931)

aquatint and etching

Artist: Brunsdon, John. | Title: View from the black mountains. | Date: 1988 | Technique: etching and aquatint, printed in colour, from one plate

John Brunsdon (1933–)

View from the black mountains.

(1988)

etching and aquatint

Artist: Brunsdon, John. | Title: View from the black mountains. | Date: 1988 | Technique: etching and aquatint, printed in colour, from one plate

John Brunsdon (1933–)

View from the black mountains.

(1988)

etching and aquatint

Artist: Leak, J.T. | Title: View from the caves near Portland. | Date: 1850 | Technique: engraving, printed in black ink, from one copper plate

J.T. Leak

View from the caves near Portland.

(1850)

engraving

Artist: Wilson, Charles. | Title: View from the lounge | Date: 1980 | Technique: etching and roulette, printed in black ink, from one plate

Charles Wilson (1953–)

View from the lounge

(1980)

etching and roulette

Artist: Furlonger, Joe. | Title: View from the pits | Date: 1992, May-July | Technique: etching and drypoint, printed in black ink, from one plate

Joe Furlonger (1952–)

View from the pits

(1992, May-July)

etching and drypoint

Title: View from the south side of King George's Sound. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

View from the south side of King George's Sound. | View from the south side of King George Sound

(1814)

engraving

Title: View from the south side of King George's Sound. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate; hand-coloured at a later date

View from the south side of King George's Sound.

(1814)

engraving

Artist: Earle, Augustus. | Title: View from the Sydney Hotel | Date: 1826 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Augustus Earle (1793–1838)

View from the Sydney Hotel

(1826)

lithograph

Artist: Lycett, Joseph. | Title: View from the top of Mount Nelson with Hobart Town in the distance, V.D.L. | Date: 1 June 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View from the top of Mount Nelson with Hobart Town in the distance, V.D.L.

(1 June 1825 (imprint))

etching and aquatint

Artist: Kennedy, Peter C. | Title: View from Westgate | Technique: linocut, printed in colour, from multiple blocks

Peter C. Kennedy (1945–)

View from Westgate

linocut

Artist: Farmer, John. | Title: View from Yarra Park. | Date: c.1956 | Technique: etching, printed in brown ink with plate-tone, from one plate

John Farmer (1897–1989)

View from Yarra Park.

(c.1956)

etching

Artist: Ham Brothers. | Title: View from Youang Hill, North Pyrenees, Victoria. | Date: 1851 | Technique: engraving, printed in black ink, from one copper plate

Ham Brothers. (1850–1851)

View from Youang Hill, North Pyrenees, Victoria.

(1851)

engraving

Title: View in Argyle Bay | Date: 1885 | Technique: lithograph, printed in colour, from multiple stones

View in Argyle Bay

(1885)

lithograph