Browse

WORKS 50961 – 50980 of 54410 IMAGES ONLY
Artist: Lindsay, Cameron. | Title: Upper Esplanade (St. Kilda) | Date: 1995, September | Technique: linoblock, printed in black ink, from one block

Cameron Lindsay (1995–)

Upper Esplanade (St. Kilda)

(1995, September)

linoblock

Sydney Ure Smith (1887–1949)

Upper Fort Street.

(1920s?)

etching

Tom Garrett (1879–1952)

Upper Hawkesbury.

Artist: EARTHWORKS POSTER COLLECTIVE | Title: Upper Hunter Valley environment exhibition | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

EARTHWORKS POSTER COLLECTIVE (1972–1979)

Upper Hunter Valley environment exhibition

(1979)

screenprint

Alfred Coffey (1869–1950)

Upper Lane Cove.

(1908)

etching

Artist: Shearer, Mitzi. | Title: Upside down and inside out. | Date: 1988 | Technique: etching, printed in black, with plate-tone, from one plate

Mitzi Shearer (1909–1995)

Upside down and inside out.

(1988)

etching

Artist: Merd International. | Title: Upside down house. Bring Philip Vagary (Duo) Fri 11 March | Date: 1984 | Technique: screenprint

Merd International. (1984–1986)

Upside down house. Bring Philip Vagary (Duo) Fri 11 March

(1984)

screenprint

Artist: Davidson, Barbara. | Title: Upstairs. | Date: 1988 | Technique: etching, printed in black ink, from one plate

Barbara Davidson (1928–)

Upstairs.

(1988)

etching

Artist: UNKNOWN | Title: Upstairs Gallery, Sydney College of the Arts | Date: (1980's) | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

Upstairs Gallery, Sydney College of the Arts

((1980's))

screenprint

Artist: LINDSAY, Lionel | Title: (Upturned glass and closed book) | Date: 1950 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

(Upturned glass and closed book)

(1950)

wood-engraving

Fred Williams (1927–1982)

Upwey Landscape No. 1 Etching, drypoint and engraving, 10½ x 5½, 27/30, 1965. Available from Rudy Komon Gallery.

Fred Williams (1927–1982)

Upwey landscape number 2.

(1965-66)

etching

Artist: WILLIAMS, Fred | Title: Upwey landscape number 4 | Date: (1965-66) | Technique: ething, engraving, mezzotint and flat biting, printed in black ink, from one copper plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Upwey landscape number 4

((1965-66))

ething

Fred Williams (1927–1982)

Upwey landscape. Number 1

(1965-66)

etching

Artist: WILLIAMS, Fred | Title: Upwey landscape. Number 1 | Date: 1962 | Technique: etching, engraving, drypoint, flat biting, printed in black ink, from one copper plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Upwey landscape. Number 1

(1962)

etching

Title: Upwey scene | Date: 1960 | Technique: etching and aquatint, printed in black ink, from one plate

Upwey scene

(1960)

etching and aquatint

Basema Mahdi (1964–)

Ur harp

(1996)

etching

Artist: Lane, Leonie. | Title: Uranium action day: a day of information exchange & discussion about the uranium campaigh & how we can be involved. | Date: (1979) | Technique: screenprint, printed in colour, from three stencils | Copyright: © Leonie Lane

Leonie Lane (1955–)

Uranium action day: a day of information exchange & discussion about the uranium campaigh & how we can be involved.

((1979))

screenprint

Artist: UNKNOWN | Title: Uranium creates a police state | Date: c.1976 | Technique: letterpress

UNKNOWN

Uranium creates a police state

(c.1976)

letterpress

Artist: UNKNOWN | Title: Uranium creates a police state | Date: c.1976 | Technique: letterpress

UNKNOWN

Uranium creates a police state

(c.1976)

letterpress