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WORKS 50781 – 50800 of 54759 IMAGES ONLY
Artist: Klein, Deborah. | Title: Underwater face | Date: 1996, 28 September | Technique: linocut, printed in black ink, from one block

Deborah Klein (1951–)

Underwater face

(1996, 28 September)

linocut

Artist: Hayley-Lever, Richard. | Title: Underway | Date: 1930s | Technique: etching, printed in black ink, from one plate

Richard Hayley-Lever (1876–1958)

Underway

(1930s)

etching

Artist: REDBACK GRAPHIX | Title: Undoing history - making a just future. | Date: 1988 | Technique: screenprint, printed in colour inks, from three stencils

REDBACK GRAPHIX (1980–1994)

Undoing history - making a just future.

(1988)

screenprint

Artist: Faulks, Philip. | Title: Undone | Date: 1989 | Technique: lithograph, printed in black ink, from one stone

Philip Faulks (1959–)

Undone

(1989)

lithograph

Brett Whiteley (1939–1992)

Undressing.

lithograph

Artist: MEYER, Bill | Title: Une Charogne | Date: 1970 | Technique: screenprint, printed in seven colours, from one open block out screen, five hand cut stencils and two photo ortho screens | Copyright: © Bill Meyer

Bill Meyer (1942–)

Une Charogne

(1970)

screenprint

Artist: MEYER, Bill | Title: Une Charogne II | Date: 1970 | Technique: screenprint, printed in colour, from seven stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Une Charogne II | The times, dance of death

(1970)

screenprint

Ethel Gabain (1853–1950)

Une dame qui se chausse original.

etching

Title: Une femme de la terre de Van- Demen | Date: 1829 | Technique: etching and engraving, printed in black ink, from one plate

Une femme de la terre de Van- Demen

(1829)

etching and engraving

Artist: Moore, Mary. | Title: Une Fermeture Eclair Difficile | Date: 1977 | Technique: aquatint and etching printed in brown ink, from one plate, hand-coloured in red | Copyright: © Mary Moore

Mary Moore (1957–)

Une Fermeture Eclair Difficile

(1977)

aquatint and etching printed in brown ink

Artist: Moore, Mary. | Title: Une Fermeture Eclair Difficile [Difficult zip to pull]. | Date: 1977 | Technique: aquatint and etching, printed in black ink, from one plate; hand-coloured | Copyright: © Mary Moore

Mary Moore (1957–)

Une Fermeture Eclair Difficile [Difficult zip to pull].

(1977)

aquatint and etching

Une poèm parfois son ombre [A shadow sometimes its shadow]

(1987)

wood-engraving

Une poèm parfois son ombre [A shadow sometimes its shadow]

(1987)

wood engraving

Praxis Poster Workshop. (1982–)

Unemployed?

screenprint

Artist: Ford, Paul. | Title: Unemployment - a creative alternative. | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Paul Ford (1980–)

Unemployment - a creative alternative.

(1981)

screenprint

Artist: Ford, Paul. | Title: Unemployment - A creative alternative. Careers 81. | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Paul Ford (1980–)

Unemployment - A creative alternative. Careers 81.

(1981)

screenprint

Artist: Ford, Paul. | Title: Unemployment explosive. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

Paul Ford (1980–)

Unemployment explosive.

(1981)

screenprint

Artist: UNKNOWN | Title: Unemployment explosive | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

Unemployment explosive

(1981)

screenprint

Artist: LITTLE, Colin | Title: Unemployment is getting us nowhere | Date: 1980 | Technique: screenprint, printed in colour, from two stencils

Colin Little (1952–1982)

Unemployment is getting us nowhere

(1980)

screenprint

Artist: LITTLE, Colin | Title: Unemployment is getting us nowhere | Date: 1980 | Technique: screenprint, printed in colour, from two stencils

Colin Little (1952–1982)

Unemployment is getting us nowhere

(1980)

screenprint