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WORKS 48601 – 48620 of 54752 IMAGES ONLY
Artist: Spowers, Ethel. | Title: The works, Yallourn | Date: 1933 | Technique: linocut, printed in colour, from seven blocks

Ethel Spowers (1890–1947)

The works, Yallourn

(1933)

linocut

Allen Lewis (1873–1957)

The Workshop.

etching

Artist: Curtis, Robert Emerson. | Title: The workshops, Milsons Point 1928. | Date: 1932 | Technique: lithograph, printed in black ink, from one plate

Robert Emerson Curtis (1898–1996)

The workshops, Milsons Point 1928.

(1932)

lithograph

Artist: Armstrong, Bruce. | Title: The world. | Date: 1988 | Technique: softground etching, printed in black ink, from one plate

Bruce Armstrong (1957–2024)

The world.

(1988)

softground etching

Praxis Poster Workshop. (1982–)

The world at home

screenprint

Artist: Tytherleigh, David. | Title: The world may never change | Date: 1999, 6 October | Technique: linocut, printed in black ink, from one block

David Tytherleigh (1957–)

The world may never change

(1999, 6 October)

linocut

Artist: Ththerleigh, David. | Title: The world may never change | Date: 1999 | Technique: linocut, printed in black ink, from one block

David Ththerleigh

The world may never change

(1999)

linocut

Artist: AMOR, Rick | Title: The world of men. | Date: 1993 | Technique: woodcut, printed in colour, from two blocks

Rick Amor (1948–)

The world of men.

(1993)

woodcut

Artist: BALDESSIN, George | Title: The world of tinsel. | Date: 1966 (dated) | Technique: etching and aquatint, printed in colour inks, from multiple plates

George Baldessin (1939–1978)

The world of tinsel.

(1966 (dated))

etching and aquatint

Artist: Collins, Albert. | Title: The world's loveliest harbour, Sydney, Australia. | Date: 1930 | Technique: lithograph, printed in colour, from multiple stones

Albert Collins (1883–1951)

The world's loveliest harbour, Sydney, Australia.

(1930)

lithograph

Artist: Shearer, Mitzi. | Title: The worm's night out | Date: 1978 | Technique: etching, printed in black, with plate-tone, from three plates (three images)

Mitzi Shearer (1909–1995)

The worm's night out

(1978)

etching

Artist: Shearer, Mitzi. | Title: The worms' night out | Date: 1978

Mitzi Shearer (1909–1995)

The worms' night out

(1978)

Artist: Shearer, Mitzi. | Title: The worms' night out | Date: 1978

Mitzi Shearer (1909–1995)

The worms' night out

(1978)

Artist: Taylor, John H. | Title: The worried pheasant | Date: 1967 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The worried pheasant

(1967)

linocut

Artist: Taylor, John H. | Title: The worried pheasant | Date: 1967 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The worried pheasant

(1967)

linocut

Artist: Taylor, John H. | Title: The worried pheasant | Date: 1967 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The worried pheasant

(1967)

linocut

Artist: Barker, David. | Title: The worshippers. | Date: (1919) | Technique: aquatint, printed in brown ink, from one plate

David Barker (1888–1946)

The worshippers.

((1919))

aquatint

Elsie Henderson (1880–1967)

The Wounded Lion. (A Print of this is in the Print Room of British Museum).

William Hunter (1899–1963)

The Wreck.

Len French (1928–2017)

The wreck.

(1970)

screenprint