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WORKS 48441 – 48460 of 54752 IMAGES ONLY

Rupert Bunny (1864–1947)

The White Sofa.

Artist: BUNNY, Rupert | Title: (The white sofa). | Date: c.1898 | Technique: monotype, printed in colour, from one zinc plate

Rupert Bunny (1864–1947)

(The white sofa).

(c.1898)

monotype

Artist: LINDSAY, Lionel | Title: The white stork | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The white stork | The crane | The white crane

(1925)

wood-engraving

Ben Quilty (1973–)

The white ute

(2004)

etching and aquatint

Artist: Quilty, Ben. | Title: The white ute [A]. | Date: 2004 | Technique: etching and aquatint, printed in black ink, from two plates

Ben Quilty (1973–)

The white ute [A].

(2004)

etching and aquatint

Artist: Quilty, Ben. | Title: The white ute [B]. | Date: 2004 | Technique: etching and aquatint, printed in black ink, from two plates

Ben Quilty (1973–)

The white ute [B].

(2004)

etching and aquatint

Sarah Stone (1762–1844)

The white vented crow.

(29 December 1789 (imprint))

Gayfield Shaw (1885–1961)

The White Way.

Gayfield Shaw (1885–1961)

The White Way: a memento of our tour.

(1925)

etching

Artist: Megalo International Screenprinting Collective. | Title: The whitewash of the year, Bitumen River Gallery | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Megalo International Screenprinting Collective. (1980–)

The whitewash of the year, Bitumen River Gallery

(1981)

screenprint

Artist: Honybun, Elizabeth. | Title: The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound. | Date: (1978) | Technique: offset-lithograph on rubber stamps

Elizabeth Honybun (1953–1984)

The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound.

((1978))

offset-lithograph on rubber stamps

Artist: Lasisi, David. | Title: The whore | Date: 1976 | Technique: screenprint, printed in brown ink, from one stencil

David Lasisi (1955–)

The whore

(1976)

screenprint

Artist: Lasisi, David. | Title: The whore | Date: not dated | Technique: screenprint, printed in purple ink, from one stencil

David Lasisi (1955–)

The whore

(not dated)

screenprint

Artist: Fisher, John | Title: The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp. | Date: 1978

John Fisher (1921–)

The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp.

(1978)

Martin Stainforth (1866–1957)

The Widower.

(1923 (exhibited))

wood-engraving

Jacqueline Hick (1919–2004)

The widows.

(1944)

etching and aquatint

Artist: Nicholas, William. | Title: The wife (Mrs Baker) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The wife (Mrs Baker)

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The wife (Mrs William Baker). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The wife (Mrs William Baker).

(1847)

pen-lithograph

Artist: Charsley, Fanny Anne. | Title: The wild flowers around Melbourne. | Date: 1867 | Technique: lithographs, printed in black ink, each from one stone; hand-coloured

Fanny Anne Charsley (1828–1915)

The wild flowers around Melbourne.

(1867)

lithographs

Artist: ROSENGRAVE, Harry | Title: The wild horse | Date: (1955) | Technique: etching, printed in black ink with plate-tone, from one plate

Harry Rosengrave (1899–1986)

The wild horse

((1955))

etching