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WORKS 48121 – 48140 of 54294 IMAGES ONLY
Artist: BOYD, Arthur | Title: The women's vow. | Date: (1970) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The women's vow.

((1970))

etching and aquatint

Artist: BOYD, Arthur | Title: The women's vow. | Date: 1970 | Technique: etching and aquatint, printed in black ink, from one plate

Arthur Boyd (1920–1999)

The women's vow.

(1970)

etching and aquatint

Artist: BOYD, Arthur | Title: The women's vow. | Date: (1970) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The women's vow.

((1970))

etching and aquatint

Artist: BOYD, Arthur | Title: The women's vow. | Date: (1970) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The women's vow.

((1970))

etching and aquatint

Artist: BOYD, Arthur | Title: The women's vow. | Date: (1970) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The women's vow.

((1970))

etching and aquatint

Artist: BOYD, Arthur | Title: The women's vow. | Date: 1973-74 | Technique: aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The women's vow.

(1973-74)

aquatint

Jessie Traill (1881–1967)

The Wondering Shipley.

Victor Zelman (1877–1960)

The wood carter.

James Crisp (1879–1962)

The Wood heap, Megalong Valley.

Artist: LINDSAY, Lionel | Title: The wood load | Date: 1919 | Technique: warm etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The wood load

(1919)

warm etching and aquatint

S. Cunningham (1920–)

The wood tenders.

(1924)

etching

Eileen Berndt (1899–1991)

The Wood-cutters.

Artist: Hawkins, Weaver. | Title: The wood-engraver | Date: c.1927 | Technique: woodcut, printed in black ink, from one block | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

The wood-engraver | The wood-engraver

(c.1927)

woodcut

Artist: Jack, Kenneth. | Title: The woodcutters | Date: 1953 | Technique: engraving, printed in black ink, from one perspex block | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

The woodcutters

(1953)

engraving

Artist: Traill, Jessie. | Title: The woodcutters' home | Date: c.1911 | Technique: etching, drypoint and foul biting, printed in warm black ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The woodcutters' home

(c.1911)

etching

Alfred Coffey (1869–1950)

The wooden bridge to Pyrmont, old Sydney.

(1915)

Artist: Long, Sydney. | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The wooden ship

(1922)

etching and drypoint

William Walcot (1874–1943)

The wooden temple.

etching

Artist: McGrath, Raymond. | Title: The woods of Westermain | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Raymond Mcgrath (1903–1977)

The woods of Westermain

(1928)

wood-engraving

Alfred Edward Warner (1879–1968)

The wool dray.

etching