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WORKS 47941 – 47960 of 54294 IMAGES ONLY
Artist: Azlan. | Title: The West is best II. | Date: 2003 | Technique: stencil, printed in black ink, from one stencil

Azlan. (1975–)

The West is best II.

(2003)

stencil

Artist: Azlan. | Title: The West is best II. | Date: 2003 | Technique: stencil, printed in black ink, from one stencil

Azlan. (1975–)

The West is best II.

(2003)

stencil

Artist: Azlan. | Title: The west is best III. | Date: 2003 | Technique: stencil, printed in balck ink, from one stencil

Azlan. (1975–)

The west is best III.

(2003)

stencil

Artist: Azlan. | Title: The west is best III. | Date: 2003 | Technique: stencil, printed in balck ink, from one stencil

Azlan. (1975–)

The west is best III.

(2003)

stencil

Artist: Azlan. | Title: The west is best III. | Date: 2003 | Technique: stencil, printed in balck ink, from one stencil

Azlan. (1975–)

The west is best III.

(2003)

stencil

Artist: Azlan. | Title: The West is the best. | Date: 2003 | Technique: laser printed in black ink

Azlan. (1975–)

The West is the best.

(2003)

laser printed in black ink

Artist: Azlan. | Title: The West is the best. | Date: 2003 | Technique: stencil, printed in black ink, from one stencil

Azlan. (1975–)

The West is the best.

(2003)

stencil

Fred Burridge (1869–1945)

The west wind.

Artist: French, Len. | Title: (The west wind). | Date: (1955) | Technique: lithograph, printed in black ink, from one plate | Copyright: © Leonard French. Licensed by VISCOPY, Australia

Len French (1928–2017)

(The west wind).

((1955))

lithograph

Artist: Traill, Jessie. | Title: The west window | Date: 1922 | Technique: etching and drypoint, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

The west window

(1922)

etching and drypoint

Artist: Lycett, Joseph. | Title: The Western or Boundary Lake, Van Diemen's Land. | Date: 1824 | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The Western or Boundary Lake, Van Diemen's Land.

(1824)

etching and aquatint

Artist: Jobling, Winsome. | Title: The wet. | Date: 2006 | Technique: etching, printed in colour, from six plates

Winsome Jobling (1957–)

The wet.

(2006)

etching

Cyril Dillon (1883–1974)

The Wetherby Tower, Melbourne Grammar School.

(1922)

Artist: Wienholt, Anne. | Title: The whale | Technique: etching and softground-etching, printed in black ink, from one copper plate

Anne Wienholt (1920–2018)

The whale

etching and softground-etching

Artist: AMOR, Rick | Title: The whale. | Date: 1993 | Technique: etching, printed in black ink, from one plate

Rick Amor (1948–)

The whale.

(1993)

etching

Artist: LINDSAY, Lionel | Title: The Whaler | Date: 1925 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Whaler

(1925)

etching

A.H. Fullwood (1863–1930)

'The Whalers' Arms', Rocks, Sydney.

etching

Stuart Peterson (1900–1976)

The Whanganui Taniwha.

Len French (1928–2017)

The wharf.

(1970)

screenprint

Artist: Thomas, Edmund. | Title: The wharf | Date: 1853 | Technique: pen-lithograph, printed in black ink, from one stone

Edmund Thomas (1827–1867)

The wharf

(1853)

pen-lithograph