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WORKS 47941 – 47960 of 54750 IMAGES ONLY

Fred Campbell (1851–1930)

The Swinging Basin.

Artist: Owen, Gladys. | Title: The Sydney Bridge. | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The Sydney Bridge.

(1932 (exhibited))

wood-engraving

Artist: GRIFFITH, Pamela | Title: The Sydney Harbour Bridge | Date: 1988 | Technique: hardground-etching, aquatint and burnishing, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Sydney Harbour Bridge

(1988)

hardground-etching

Thomas Friedensen (1879–1931)

The Sydney Herald Building.

etching

Richard Tipping (1949–)

The Sydney Morning Herald vol.1.

(1967-88)

screenprint

Richard Tipping (1949–)

The Sydney Morning Herald Vol.II Word Works 1967-1991.

(1991)

letterpress

Artist: TIPPING, Richard | Title: The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising. | Date: 1992 | Technique: screenprints, printed in colour

Richard Tipping (1949–)

The Sydney Morning Herald Vol.III from Words Works 1979-1992 including works from the on-going series Roadsigned and Subvertising.

(1992)

screenprints

Richard Tipping (1949–)

The Sydney Morning Volume IV by Richard Tipping. word works 1993-94, comprising 14 prints in an edition of between 80 and 92 examples. Numbers 1 to 60 of each print boxed in sets with frontispiece and end-notes.

(1994)

screenprints

Artist: GRIFFITH, Pamela | Title: The Sydney Opera House | Date: 1988 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Sydney Opera House

(1988)

hardground-etching and aquatint

Artist: Shirlow, John. | Title: The Sydney set of six etchings | Date: (1917-18) | Technique: etchings, printed in brown/black ink, each from one copper plate

John Shirlow (1869–1936)

The Sydney set of six etchings

((1917-18))

etchings

Roy Dalgarno (1910–2001)

The Symbols.

(1964)

lithograph

Artist: Shirlow, John. | Title: The Synagogue. | Date: 1931 (exhibited)

John Shirlow (1869–1936)

The Synagogue. | East Melbourne Synagogue.

(1931 (exhibited))

Artist: Thorpe, Hall. | Title: The Synagogue | Date: 1897 | Technique: etching, printed in brown ink, from one plate

Hall Thorpe (1874–1947)

The Synagogue

(1897)

etching

C.W. Williams (1930–)

The T. and G. Building.

Artist: BALDESSIN, George | Title: The table. | Date: 1974 | Technique: etching and aquatint, printed in colour ink, from one shaped plate

George Baldessin (1939–1978)

The table.

(1974)

etching and aquatint

Artist: Green, Mike. | Title: The table. | Date: 1986 | Technique: screenprint, printed in colour, from 20 stencils

Mike Green (1941–)

The table.

(1986)

screenprint

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. | Date: 1825 (imprint) | Technique: etching, and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land.

(1825 (imprint))

etching

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. [lithographic version] | Date: 1 August 1824 (imprint) | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. [lithographic version]

(1 August 1824 (imprint))

lithograph

Luigi Kasimir (1881–1962)

The Tal, Munich.

Will Dyson (1880–1938)

The Talkies-Science: 'Alas poor posterity, can you ever forgive me - I've gone and made the bad actor eternal'.