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WORKS 47821 – 47840 of 54578 IMAGES ONLY

Portia Geach (1873–1959)

The Thames.

John Eldershaw (1892–1973)

The Thames.

Artist: Bell, George.. | Title: (The Thames). | Date: c.1912 | Technique: etching, printed in black ink, from one plate

George.. Bell (1878–1966)

(The Thames).

(c.1912)

etching

Artist: Bell, George.. | Title: (The Thames). | Date: c.1912 | Technique: etching, printed in black ink with plate-tone, from one plate

George.. Bell (1878–1966)

(The Thames).

(c.1912)

etching

Frank Short (1857–1945)

The Thames at Twickenham.

(by 1925)

Ellis St John (1874–1949)

The Thames from Chelsea Bridge.

Artist: Long, Sydney. | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Thames from Waterloo Bridge

((1919))

line-etching

Artist: Owen, Gladys. | Title: The thatched barns | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The thatched barns

(1932 (exhibited))

wood-engraving

Allan Glover (1900–1984)

The Thatched Stable.

Artist: Stejskal, Josef Lada. | Title: The Theatre of the Death presents The Winter's Tale... Stables Theatre, Kings Cross. | Date: 1981 | Technique: offset-lithograph, printed in black ink, from one plate

Josef Lada Stejskal (1945–)

The Theatre of the Death presents The Winter's Tale... Stables Theatre, Kings Cross.

(1981)

offset-lithograph

Artist: Campbell, Denise. | Title: The theatre of the world. | Date: 1988 | Technique: woodcut, printed in black ink, from one block

Denise Campbell (1952–)

The theatre of the world.

(1988)

woodcut

Title: The theological basis of colonial genocide | Date: 2008 | Technique: linocut, printed in black ink, from one block

The theological basis of colonial genocide

(2008)

linocut

Artist: Heyes, Ken. | Title: The thicker moustache and the pudgy folded hand with thumb tucked under cover his mouth. The look is opaque, or just more inward: he could be thinking - or listening. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

The thicker moustache and the pudgy folded hand with thumb tucked under cover his mouth. The look is opaque, or just more inward: he could be thinking - or listening.

(1984)

photocopy

Artist: Zoates, Toby. | Title: The Thief of Sydney an animated film by Toby Zoates. | Date: 1984 | Technique: screenprint, printed in colour, from six stencils

Toby Zoates (1949–)

The Thief of Sydney an animated film by Toby Zoates.

(1984)

screenprint

Title: The thinker | Date: c.1985 | Technique: off-set lithograph

The thinker

(c.1985)

off-set lithograph

Artist: Mann, Gillian. | Title: The thinkers | Date: 1990 | Technique: woodcut, printed in black ink, from three blocks

Gillian Mann (1939–2007)

The thinkers

(1990)

woodcut

John Edward (1929–)

The third day.

(1975)

screenprint

Sydney Ure Smith (1887–1949)

The three barns.

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The three barns.

(1921)

etching

Artist: LINDSAY, Lionel | Title: The three beggars of Guadalupe | Date: 1926 | Technique: etching, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The three beggars of Guadalupe

(1926)

etching