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WORKS 47541 – 47560 of 54407 IMAGES ONLY

James Crisp (1879–1962)

The Strength of the Free.

etching

Roma Hopkinson (1904–1893)

The stripling.

Judith Borrick (2005–)

The struggle.

(2005)

linocut

Artist: Dalgarno, Roy. | Title: The struggle for existence. | Date: c.1930 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Roy Dalgarno

Roy Dalgarno (1910–2001)

The struggle for existence.

(c.1930)

lithograph

Artist: Cant, James. | Title: The struggle for life. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate | Copyright: © James Cant. Licensed by VISCOPY, Australia, 2008.

James Cant (1911–1982)

The struggle for life.

(1948)

cliche-verre

Artist: Cant, James. | Title: The struggle for life. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate

James Cant (1911–1982)

The struggle for life.

(1948)

cliche-verre

Alan Douglas Baker (1914–1987)

The Student oil.

Julian Ashton (1851–1942)

The studio.

Artist: Franklin, Annie. | Title: The Studio. | Date: 1996 | Technique: etching, printed in blue ink, from one zinc plate

Annie Franklin (1962–)

The Studio.

(1996)

etching

Vincent Sheldon (1895–1945)

The studio of B.E. Minns.

(1930s)

etching

Harold Nelson (1971–1948)

The Studio Window.

etching

Artist: Casbolt, Leonie. | Title: The submission | Date: 1984 | Technique: photo-lithograph, printed in black ink, from one stone

Leonie Casbolt (1959–)

The submission

(1984)

photo-lithograph

Artist: Band, David. | Title: The substitute | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The substitute

(1996)

screenprint

Title: The suburbs | Date: 1968 | Technique: offset-lithograph, printed in black ink, from one plate

The suburbs

(1968)

offset-lithograph

Eva Kubbos (1928–)

The sudden wings of blue.

(1962)

linocut

Artist: Lycett, Joseph. | Title: The Sugar Loaf Mountain, near Newcastle, New South Wales. | Date: 1 October 1824 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The Sugar Loaf Mountain, near Newcastle, New South Wales.

(1 October 1824 (imprint))

etching

Herbert Rose (1890–1937)

The Sugar Mills.

Herbert Rose (1890–1937)

The Sugar Mills.

etching

Herbert Rose (1890–1937)

The Sugar Mills.

etching

James Crisp (1879–1962)

The sultan.

(1923)