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WORKS 46841 – 46860 of 54406 IMAGES ONLY

Lionel Lindsay (1874–1961)

The Rajah's Palace, Benares.

Artist: Lindsay, Norman. | Title: The Rambler: The only Australian comic weekly. | Date: 1899 | Technique: woodcut, printed in colour, from three blocks

Norman Lindsay (1879–1969)

The Rambler: The only Australian comic weekly.

(1899)

woodcut

Artist: Lindsay, Norman. | Title: The Rambler: The only Australian penny comic weekly. | Date: (1899) | Technique: woodcut, printed in black ink, from one block

Norman Lindsay (1879–1969)

The Rambler: The only Australian penny comic weekly.

((1899))

woodcut

Artist: Hincksman, Bob. | Title: The rambutans of Khao Saming | Date: 1967 | Technique: woodcut, printed in colour, from multiple blocks

Bob Hincksman (1925–2002)

The rambutans of Khao Saming

(1967)

woodcut

Artist: AMOR, Rick | Title: The ramp. | Date: 1992 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The ramp.

(1992)

woodcut

Artist: AMOR, Rick | Title: The ramp. | Date: 1992 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The ramp.

(1992)

woodcut

Will Ashton (1881–1963)

The Ranom Inn, Wooton-under-Edge.

(1922)

sandpaper ground etching

Artist: Hecht, Lisa. | Title: The rape of Juno | Date: 1996, February | Technique: lithograph, printed in black ink, from one stone

Lisa Hecht (1996–)

The rape of Juno

(1996, February)

lithograph

Neil Emmerson (1956–)

The rape of the Lock.

(1996)

lithograph

Percival Gaskell (1868–1934)

The Ravaged Hillside.

etching

Sue Buckley (1911–1986)

The raven.

(1966)

woodcut

Artist: Palmer, Ethleen. | Title: The Ravens | Date: 1949 | Technique: screenprint, printed in colour, from multiple stencils

Ethleen Palmer (1906–1958)

The Ravens

(1949)

screenprint

Artist: Swan, James. | Title: The razor cuts the women out of eduction | Date: c.1982 | Technique: screenprint, printed in colour, from two stencils

James Swan (1981–)

The razor cuts the women out of eduction

(c.1982)

screenprint

Anna Airy (1882–1964)

The Reader.

etching

Anna Airy (1882–1964)

The Reader.

Artist: LINDSAY, Lionel | Title: The reader. | Date: c.1896 | Technique: etching and foul biting, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The reader.

(c.1896)

etching and foul biting

Alan Douglas Baker (1914–1987)

The Reader oil.

Artist: Porter, Carol. | Title: The real face of terror is white - not red! | Date: 1986 | Technique: screenprint, printed in colour, from multiple stencils

Carol Porter (1948–)

The real face of terror is white - not red!

(1986)

screenprint

Title: The real face of terror is white... not red! | Date: c1986 | Technique: screenprint, printed in colour, from multiple stencils

The real face of terror is white... not red!

(c1986)

screenprint

Tanya Myshkin (1961–)

The real soul of Loulou.

(1994)

wood-engraving