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WORKS 46681 – 46700 of 54406 IMAGES ONLY
Artist: Stejskal, Josef Lada. | Title: The Police directed by Ian (My dear) Watson ... Stables Theatre 10 Nimrod Street Kings Cross | Date: 1981 | Technique: offset-lithograph

Josef Lada Stejskal (1945–)

The Police directed by Ian (My dear) Watson ... Stables Theatre 10 Nimrod Street Kings Cross

(1981)

offset-lithograph

Artist: Rodius, Charles. | Title: The police magistrate. [Charles Windeyer]. | Date: 1847 | Technique: chalk-lithograph, printed in black ink, from one stone

Charles Rodius (1802–1860)

The police magistrate. [Charles Windeyer].

(1847)

chalk-lithograph

Title: The Police Office, Sydney. | Date: 1848 | Technique: engraving, printed in black ink, from one plate; hand-coloured

The Police Office, Sydney.

(1848)

engraving

Artist: Doggett-Williams, Phillip. | Title: The Politics of Ptolemaics | Date: 1987 | Technique: lithograph, printed in black ink, from one stone

Phillip Doggett-Williams (1953–)

The Politics of Ptolemaics

(1987)

lithograph

Ethel Carrick (1872–1952)

The Pont Neuf, Paris.

(about 1932)

lithograph

Frank Brangwyn (1867–1956)

The Ponte Rotto, Rome.

Thomas Gulliver (1891–1933)

The Pontoon.

Jessie Mackintosh (1893–1957)

The pooch.

(1936 (about))

Lionel Lindsay (1874–1961)

The pool.

Lionel Lindsay (1874–1961)

The Pool.

Charles Nuttall (1872–1934)

The Pool.

A.H. Fullwood (1863–1930)

The Pool.

Sydney Long (1871–1955)

The Pool.

etching

Artist: Menpes, Mortimer. | Title: The Pool of London | Technique: etching and drypoint, printed in black ink, from one plate

Mortimer Menpes (1855–1938)

The Pool of London | (Harbour scene with smokestack and crane)

etching and drypoint

Charles William Cain (1893–1962)

The Pool on London.

drypoint

A.H. Fullwood (1863–1930)

The Pool, Hampstead Heath.

HARCUS

The Pope, Australian 1986

(1986)

offset-lithograph

Max Ragless (1901–1981)

The Poplar.

J.C. Goodhart (1873–1952)

The Poppet Head.

Lily Blatherwith (1859–1934)

The Poppy.