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WORKS 46541 – 46560 of 54187 IMAGES ONLY

Steve Cox (1958–)

The Pre-Raphaelite

(2005)

lithograph printed in colour

Title: The preacher | Date: 2001 | Technique: hardground etching, sugar-lift and aquatint, printed in colour, from two copper plates; inked a-la-poupee

The preacher

(2001)

hardground etching

W. John Hosking (1930–)

The preacher in the pulpit.

The predator

(2007)

etching and hand-colour

Artist: QUICK, Mary | Title: The Presbyterian church | Date: c.1945 | Technique: woodcut, printed in black ink, from one block

Mary Quick

The Presbyterian church

(c.1945)

woodcut

Artist: Shead, Garry. | Title: The presence | Date: 1994 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The presence

(1994)

etching and aquatint

Artist: LINDSAY, Lionel | Title: The priest's door | Date: 1919 | Technique: etching and drypoint, printed in brown ink with plate-tone and wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The priest's door | The bishops door, Seville.

(1919)

etching and drypoint

Peter Ellis (1956–)

The prince and the bee mistress.

(1986)

etching and aquatint

The Princess with the pea green nose by E.H. Knatchbull-Hugenssen

(1927)

Ethel Carrick (1872–1952)

The Principal Street in St. Paul. (6 only).

Artist: Forster, Josephine. | Title: The printer. | Date: 1988 | Technique: linocut, printed in black ink, from one block | Copyright: © Josephine Forster

Josephine Forster (1930–)

The printer.

(1988)

linocut

Christine Aldor (1913–1970)

The Printing Press.

Artist: LINDSAY, Lionel | Title: The priory doorway, Taormina. | Date: 1928 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The priory doorway, Taormina.

(1928)

drypoint

Harold Byrne (1899–1966)

The prison gates.

aquatint

Fred Finley (1894–1968)

The prisoners.

Artist: POSTER FILE COLLECTIVE | Title: The problem that has no name | Date: after 1963 | Technique: screenprint, printed in colour, from multiple stencils

POSTER FILE COLLECTIVE

The problem that has no name

(after 1963)

screenprint

Artist: VARIOUS (STUDENTS OF SYDNEY COLLEGE OF THE ARTS) | Title: The problems of marriage. | Date: (1985) | Technique: photocopy

VARIOUS (STUDENTS OF SYDNEY COLLEGE OF THE ARTS)

The problems of marriage.

((1985))

photocopy

Artist: LINDSAY, Lionel | Title: The prodigal son | Date: 1935 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The prodigal son

(1935)

etching

William Strang (1859–1921)

The Prodigal Son.

Artist: Henigan, Patrick. | Title: The prodigal son (eats with the pigs) | Date: 1985 | Technique: drypoint, printed in black ink, from one plate

Patrick Henigan (1925–2018)

The prodigal son (eats with the pigs) | He eats with the pigs

(1985)

drypoint