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WORKS 46521 – 46540 of 54406 IMAGES ONLY

John Carmichael (1811–1857)

The pass as completed

(1833)

engraving

Artist: Carmichael, John. | Title: The pass as completed at Mount Victoria. | Date: 1834 | Technique: engraving, printed in black ink, from one plate

John Carmichael (1811–1857)

The pass as completed at Mount Victoria.

(1834)

engraving

Artist: Carmichael, John. | Title: The pass at Mount Victoria on the Bathurst Road. | Date: 1838-39 | Technique: etching, printed in black ink, from one copper plate

John Carmichael (1811–1857)

The pass at Mount Victoria on the Bathurst Road.

(1838-39)

etching

Norman Wilkinson (1878–1971)

The Passing of the 'Lion' (H.M.S. 'Lion' in the hands of the ship-breakers. Proof signed by Lord Beatty).

Artist: Shearer, Mitzi. | Title: The passing parade | Date: 1981-84

Mitzi Shearer (1909–1995)

The passing parade

(1981-84)

Artist: Long, Sydney. | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The passing storm

(c.1919)

aquatint

Artist: Sheehan, Kevin. | Title: The Passion of James. | Date: 1985 | Technique: aquatint and etching, printed in black ink, from one plate

Kevin Sheehan (1946–)

The Passion of James.

(1985)

aquatint and etching

Tony Coleing (1942–)

The passion of James.

(1985)

etched zinc plate

Artist: COLEING, Tony | Title: The Passion of James. | Date: 1985 | Technique: etching, printed in black ink, from one plate; hand-coloured

Tony Coleing (1942–)

The Passion of James.

(1985)

etching

Artist: COLEING, Tony | Title: The passion of James | Date: 1985 | Technique: etching and aquatint, printed in black ink, from one plate

Tony Coleing (1942–)

The passion of James

(1985)

etching and aquatint

The Passionate Neatherd.

(1926)

Charles Nuttall (1872–1934)

The Past.

Ethel Gabain (1853–1950)

The Patch.

etching

W.P. Robins (1882–1959)

The path of a gale.

etching

Squire Morgan (1886–1974)

The path to the beach.

G.W.L. Hirst (1868–1965)

The pathway.

(by 1938)

pencil

David Barker (1888–1946)

The Patriarch.

Victor Cobb (1876–1945)

The Patriarch.

Artist: Kirwan-Ward, Jeremy. | Title: The pavilion | Date: 1988 | Technique: linocut, printed in black ink, from one block

Jeremy Kirwan-Ward (1949–)

The pavilion

(1988)

linocut

Lionel Lindsay (1874–1961)

The pawnbroker of Argyle Street.