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WORKS 46361 – 46380 of 54406 IMAGES ONLY

Phyllis Ruby Brodziak (1916–1967)

The old mill, Kew.

Artist: URE SMITH, Sydney | Title: The old mill, Mt Gilead | Date: 1915, December | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The old mill, Mt Gilead

(1915, December)

etching and aquatint

J.C. Goodhart (1873–1952)

The old mill, Proprietary Mine, Broken Hill

(1926)

etching and aquatint

John Goodchild (1898–1980)

The old mill, South Perth.

(c.1925)

etching

A.H. Fullwood (1863–1930)

The old mill, Tasmania.

James Crisp (1879–1962)

The Old Mine, Harden.

etching

Edward W. Sharland (1884–1967)

The Old Mint at Bristol.

Fred Britton (1889–1931)

The Old Mint, Sydney.

Adrienne Parkes (1910–1943)

The old model.

etching

Victor Cobb (1876–1945)

The old model school.

(1913)

etching

William Hunter (1899–1963)

The old moorings, Williamstown.

(1940s)

etching?

Max Ragless (1901–1981)

The Old Murrumbidgee.

Henri Van Raalte (1881–1929)

The Old Narrogin Inn.

Lionel Lindsay (1874–1961)

'The Old New York Hotel', Lower George St. (demolished).

Lionel Lindsay (1874–1961)

The Old Orchard.

Helen Ogilvie (1902–1993)

The Old Orchard.

Artist: LINDSAY, Lionel | Title: The old orchard, Ambleside | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The old orchard, Ambleside | the old Adam

(1925)

drypoint

Artist: Long, Sydney. | Title: The old parchment mills | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The old parchment mills | Old parchment mills on the River Wandle

(1920)

line-etching and drypoint

Dorothy Ellsmore Paul (1900–1974)

The Old Pilgrim Inn.

Cyril Dillon (1883–1974)

The old poplar.

(1925)

etching