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WORKS 46141 – 46160 of 54294 IMAGES ONLY

Lionel Lindsay (1874–1961)

The Nook, Berry's Bay.

etching

Artist: Boyd, Hermia. | Title: The noon has gone down. | Date: 1978 | Technique: etching and aquatint, printed in blue ink, from one plate

Hermia Boyd (1931–2000)

The noon has gone down.

(1978)

etching and aquatint

Jessie Traill (1881–1967)

The Noosa at Tewantin.

(1921 (exhibited))

Artist: Earle, Augustus. | Title: The North Head of Port Jackson, New South Wales. | Date: 1830 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Augustus Earle (1793–1838)

The North Head of Port Jackson, New South Wales.

(1830)

lithograph

Artist: Earle, Augustus. | Title: The North Head of Port Jackson, New South Wales. | Date: 10 August 1830 | Technique: lithograph, printed in black ink, from one stone; hand coloured

Augustus Earle (1793–1838)

The North Head of Port Jackson, New South Wales.

(10 August 1830)

lithograph

Artist: Curtis, Robert Emerson. | Title: The North Shore approach. | Date: 1932 | Technique: lithograph, printed in black ink, from one plate

Robert Emerson Curtis (1898–1996)

The North Shore approach.

(1932)

lithograph

Cyril Dillon (1883–1974)

The North Tower, Wesley College.

(1922)

etching

Artist: Burdett, Frank. | Title: The North-West: Tasmania for your next holiday. | Date: 1950s | Technique: lithograph, printed in colour, from multiple stones | Copyright: © James Northfield Heritage Art Trust

Frank Burdett (1897–1971)

The North-West: Tasmania for your next holiday.

(1950s)

lithograph

Robert Emerson Curtis (1898–1996)

The Northern Approaches, Sydney Harbour Bridge.

John Goodchild (1898–1980)

The Northern Group.

Artist: GRIFFITH, Pamela | Title: The NSW Barracks | Date: 1981 | Technique: hardground-etching, aquatint and burnishing, printed in brown ink, from one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The NSW Barracks

(1981)

hardground-etching

Artist: Stejskal, Josef Lada. | Title: The NSW Theatre for the Death presents The unheard world of Jasper Lawson. Writted by Ingle Knight. Directed by Ian Watson. | Date: 1981 | Technique: screenprint

Josef Lada Stejskal (1945–)

The NSW Theatre for the Death presents The unheard world of Jasper Lawson. Writted by Ingle Knight. Directed by Ian Watson.

(1981)

screenprint

Artist: Stejskal, Josef Lada. | Title: The NSW Theatre for the Death presents Theodore. Writted by Ingle Knight. Directed by Ian Watson. | Date: 1981 | Technique: screenprint

Josef Lada Stejskal (1945–)

The NSW Theatre for the Death presents Theodore. Writted by Ingle Knight. Directed by Ian Watson.

(1981)

screenprint

Artist: Lovett, Mildred. | Title: The nude. | Date: 1932 | Technique: lithograph, printed in black ink, from one stone

Mildred Lovett (1880–1955)

The nude. | (Reclining nude - Dorothy Stoner).

(1932)

lithograph

William Strang (1859–1921)

The Nymph.

etching

Lionel Lindsay (1874–1961)

The Nymphs.

Artist: WICKS, Arthur | Title: The obelisk | Date: 1966 | Technique: screenprint, printed in colour, from multiple stencils

Arthur Wicks (1937–)

The obelisk

(1966)

screenprint

Eirene Mort (1879–1977)

The Obelisk, Macquarie Place.

Artist: SANSOM, Gareth | Title: The object of Solipsism | Date: 1994, January - March | Technique: etching, aquatint abd drtpoint

Gareth Sansom (1939–)

The object of Solipsism

(1994, January - March)

etching

Artist: URE SMITH, Sydney | Title: The observatory | Date: 1919 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The observatory

(1919)

etching and aquatint