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WORKS 46081 – 46100 of 54406 IMAGES ONLY

Malcolm Helsby (1888–)

The Monument.

Len French (1928–2017)

The monument.

(1970)

screenprint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Band, David. | Title: The mood that passes through you | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you

(1996)

screenprint

Artist: Band, David. | Title: The mood that passes through you II | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you II

(1996)

screenprint

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moor's gate, Granada | The gate of the Moors

(1919)

etching

John Goodchild (1898–1980)

The mooring.

(1924)

Allan Glover (1900–1984)

The mooring post.

May Marsden (1876–1968)

The moorings, Berry's Bay.

etching

Artist: LINDSAY, Lionel | Title: The Moorish market, Granada | Date: 1926 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moorish market, Granada

(1926)

drypoint

W.P. Robins (1882–1959)

The Moorland farm.

etching

May Marsden (1876–1968)

The Mopoke.

etching

Artist: Boynes, Robert. | Title: The morals of money. | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Robert Boynes (1942–)

The morals of money.

(1974)

screenprint

Bim Hilder (1909–1990)

The Moreton Bay Fig pencil drawing.

Artist: Harding, Richard. | Title: The morning after the night before | Date: 1991 | Technique: etching, printed in black ink, from one plate

Richard Harding (1959–2025)

The morning after the night before

(1991)

etching

Henri Van Raalte (1881–1929)

The Morning Fire.

D.G. Reid (1862–1933)

The Morning Load.

Artist: LINDSAY, Lionel | Title: The Morning star, Toledo | Date: 1938 | Technique: spririt-ground aquatint and burnishing, printed in blue ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Morning star, Toledo

(1938)

spririt-ground aquatint and burnishing