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WORKS 46041 – 46060 of 54406 IMAGES ONLY
Artist: Counihan, Noel. | Title: The miner. | Date: 1947 | Technique: linocut, printed in black ink, from one block

Noel Counihan (1913–1986)

The miner.

(1947)

linocut

Title: The miner's dream of home | Date: c.1900 | Technique: lithograph, printed in colour, from multiple stones

The miner's dream of home

(c.1900)

lithograph

Artist: UNKNOWN, | Title: The Ministers and their cronies off to Botany Bay and the Dorchester men returning | Date: 1834 | Technique: woodcut, printed in black ink, from one block

UNKNOWN,

The Ministers and their cronies off to Botany Bay and the Dorchester men returning

(1834)

woodcut

Artist: GRIFFITH, Pamela | Title: The Mint, 1982 | Date: 1982 | Technique: hardground-etching, aquatint, and burnishing, printed in black ink, from one on one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Mint, 1982

(1982)

hardground-etching

Artist: MADDOCK, Bea | Title: The miracle | Date: 1964 | Technique: monotype, printed in oil paint, from one glass plate

Bea Maddock (1934–2016)

The miracle

(1964)

monotype

Diana Hughes (1960–)

The Miraculous Draft of Fishes.

Artist: Lanceley, Colin. | Title: The Miraculous Mandarin Suite. | Date: 1966 | Technique: screenprint, printed in black ink, from one stencil | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

The Miraculous Mandarin Suite.

(1966)

screenprint

Diana Hughes (1960–)

The Miroculons Draft of Fishes.

Norman Lindsay (1879–1969)

The mirror.

(1920)

etching

Artist: Flett, James. | Title: The mirror. | Date: c.1930 | Technique: linocut, printed in colour, from multiple blocks

James Flett (1906–1986)

The mirror.

(c.1930)

linocut

Artist: BALDESSIN, George | Title: The mirror. | Date: 1965 | Technique: colour etching and aquatint printed in intaglio and in relief [the co applied to the plate...]

George Baldessin (1939–1978)

The mirror.

(1965)

colour etching and aquatint printed in intaglio and in relief [the co applied to the plate...]

Artist: Blackman, Charles. | Title: The mirror. | Date: (1976) | Technique: etching, printed in black ink, from one plate

Charles Blackman (1928–2018)

The mirror.

((1976))

etching

Artist: Green, Mike. | Title: The mirror. | Date: 1989 | Technique: screenprint, printed in colour, from 15 stencils

Mike Green (1941–)

The mirror.

(1989)

screenprint

Artist: Dyson, Will. | Title: The misery of rest camps. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

The misery of rest camps.

(1918)

lithograph

A.H. Fullwood (1863–1930)

The Missenden Valley.

Artist: LINDSAY, Lionel | Title: The Mitchell Library, Sydney | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mitchell Library, Sydney

(1925)

drypoint

John Goodchild (1898–1980)

The Mitre Tavern, Melbourne.

A.H. Fullwood (1863–1930)

'The Mitre', Hampton Court .

Ailsa [1]. Allan (1899–1943)

The model.

Alan Douglas Baker (1914–1987)

The model.