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WORKS 45881 – 45900 of 54187 IMAGES ONLY

Henri Van Raalte (1881–1929)

The Monarch, Kalgan River, W.A.

(1918)

drypoint

Artist: LINDSAY, Lionel | Title: The monastery, Guadalupe | Date: 1927 | Technique: drypoint printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The monastery, Guadalupe

(1927)

drypoint printed in brown ink with plate-tone

Victor Cobb (1876–1945)

The Monier Bridge, Anderson Street.

(1933)

etching

Artist: Wienholt, Anne. | Title: The monkey | Technique: line-engraving, printed in black ink with plate-tone, from one copper plate

Anne Wienholt (1920–2018)

The monkey

line-engraving

Artist: Adams, Mae. | Title: The monoliths | Date: 1986 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Mae Adams. Licensed by VISCOPY, Australia

Mae Adams (1952–)

The monoliths

(1986)

lithograph

Artist: BOYD, Arthur | Title: The monster. | Date: 1970 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The monster.

(1970)

etching

Artist: Tulloch, David. | Title: The monster meeting [text] | Date: 1852 | Technique: letterpress, printed in black ink

David Tulloch (1829–1869)

The monster meeting [text]

(1852)

letterpress

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Len French (1928–2017)

The monument.

(1970)

screenprint

Malcolm Helsby (1888–)

The Monument.

Artist: Band, David. | Title: The mood that passes through you | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you

(1996)

screenprint

Artist: Band, David. | Title: The mood that passes through you II | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you II

(1996)

screenprint

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moor's gate, Granada | The gate of the Moors

(1919)

etching

John Goodchild (1898–1980)

The mooring.

(1924)

Allan Glover (1900–1984)

The mooring post.

May Marsden (1876–1968)

The moorings, Berry's Bay.

etching

Artist: LINDSAY, Lionel | Title: The Moorish market, Granada | Date: 1926 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moorish market, Granada

(1926)

drypoint

W.P. Robins (1882–1959)

The Moorland farm.

etching