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WORKS 45741 – 45760 of 54187 IMAGES ONLY

J.F. Simon (1933–)

The Market.

(by 1933)

The market.

(1 March 1982)

screenprint

Artist: UNKNOWN, Artist | Title: The market | Date: 1982, 1 March | Technique: screenprint, printed in colour, from six stencils

Artist Unknown

The market

(1982, 1 March)

screenprint

Maud Sherwood (1880–1956)

The Market.

Herbert Gallop (1890–1958)

The Market Garden sepia.

Jessie Traill (1881–1967)

The market landing, Venice.

(1910)

etching

Martin Hardie (1875–1952)

The Market Place.

Paul Glissler (1881–1965)

The Market Place.

Artist: LONG, Sydney | Title: The market place, Bruges | Date: 1920 | Technique: line-etching, drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The market place, Bruges

(1920)

line-etching

Herbert Rose (1890–1937)

The Market, Venice.

Bruce Robertson (1872–1943)

The Market, West Wemys Fife.

Jessie Traill (1881–1967)

The market-place, Siena.

(1908)

etching

Artist: Fry, Ella. | Title: The marketplace in Limoges. | Date: 1942 | Technique: linocut, printed in black ink, from one block

Ella Fry (1916–1997)

The marketplace in Limoges.

(1942)

linocut

Praxis Poster Workshop. (1982–)

The Marriage of East and West

(1985?)

screenprint

William Walcot (1874–1943)

The Marsey lent by Gayfield Shaw.

etching

J.R.K. Duff (1862–1938)

The Marsh.

etching

Lionel Lindsay (1874–1961)

The Martyrdom of Belgium -.

Artist: LINDSAY, Lionel | Title: The martyrdom of Belgium. | Date: 1914 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The martyrdom of Belgium. | Kultur

(1914)

etching

Lionel Lindsay (1874–1961)

The Martyrdom of Belgium.

Title: The mask | Date: 1957 | Technique: linocut, printed in black ink, from one block

The mask

(1957)

linocut