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WORKS 45401 – 45420 of 54187 IMAGES ONLY

Herbert Gallop (1890–1958)

The Lake.

Sydney Long (1871–1955)

The lake.

Gayfield Shaw (1885–1961)

The lake.

Sydney Long (1871–1955)

The lake.

softground

Gayfield Shaw (1885–1961)

The Lake.

Gayfield Shaw (1885–1961)

The lake

(c.1930)

etching

Sydney Long (1871–1955)

The Lake.

etching

Percival Gaskell (1868–1934)

The Lake.

Artist: LONG, Sydney | Title: The lake | Date: c.1919 | Technique: softground etching, printed from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake

(c.1919)

softground etching

Sydney Long (1871–1955)

The lake [aquatint].

aquatint

Sydney Long (1871–1955)

The Lake [softground].

Softground etching

Sydney Long (1871–1955)

The lake Avoca, N.S.W.

D.Y. Cameron (1865–1945)

The Lake of Monteith.

etching and aquatint

Herbert Gallop (1890–1958)

The lake side.

etching

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake, Avoca

(1926)

line-etching and drypoint

Helen Farmer (1888–1970)

The lake, Avoca.

(c.1923)

Squire Morgan (1886–1974)

The lake, Avoca.

(1923)

Artist: Edwards, David. | Title: The lakes | Date: 1999, April | Technique: aquatint and sugarlift, printed in black ink, from one plate

David Edwards (1980–)

The lakes

(1999, April)

aquatint and sugarlift

James Crisp (1879–1962)

The Lakes Entrance, Victoria.

Squire Morgan (1886–1974)

The lakeside.

(1923)