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WORKS 45221 – 45240 of 54406 IMAGES ONLY
Artist: Harbeck, Ron. | Title: The hay shed. | Date: 1986 | Technique: screenprint, printed in colour, from five stencils

Ron Harbeck (1989–)

The hay shed.

(1986)

screenprint

Artist: Watson, Jenny. | Title: The haycarter | Date: 1990 | Technique: lithograph, printed in colour, from multiple stones and plates | Copyright: © Jenny Watson. Licensed by VISCOPY, Australia, 2008.

Jenny Watson (1951–)

The haycarter

(1990)

lithograph

A.H. Fullwood (1863–1930)

'The Haycock' at Wansford.

D.G. Reid (1862–1933)

The Hayfield.

The Haymarket drawings / Kevin Connor. [Berrima, NSW}: The Centaur Press, 1990.

(1990, January)

lithographs

Herbert Whydale (1892–1968)

The Hayrick.

etching

Raymond Mcgrath (1903–1977)

The Hayshed, Windsor.

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Frank Short (1857–1945)

The head of Langston Harbor.

(by 1928)

Eric Slater (1896–)

The headland by moonlight.

Sydney Ure Smith (1887–1949)

The Headland, Bilgola.

etching

Bruce Robertson (1872–1943)

The Headland, Lake Macquarie.

F. Sidney Walker (1888–1972)

The Headland, Newport.

(by 1925)

Artist: PROUT, John Skinner | Title: The Heads of Port Jackson. | Date: 1842 | Technique: lithograph, printed in colour, from two stones

John Skinner Prout (1805–1876)

The Heads of Port Jackson.

(1842)

lithograph

John Goodchild (1898–1980)

The heart of Sydney.

(1924)

Thomas Friedensen (1879–1931)

The heart of the city.

etching

Artist: GRIFFITH, Pamela | Title: The helmet shell | Date: 1981 | Technique: etching, printed in black ink, from one plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The helmet shell

(1981)

etching

The heretic

(1989)

lithographs

Thelma Thompson (1920–)

The Hermitage Bell.

Artist: LINDSAY, Lionel | Title: The Hermitage, Cordova. | Date: 1931 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Hermitage, Cordova.

(1931)

etching