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WORKS 44601 – 44620 of 54406 IMAGES ONLY

Lionel Lindsay (1874–1961)

The edge of the plain.

Artist: LINDSAY, Lionel | Title: The edge of the plain, NSW | Date: 1918 | Technique: drypoint, printed in black ink with plate-tone with wiped hightlights, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The edge of the plain, NSW

(1918)

drypoint

A.H. Fullwood (1863–1930)

The Edinburgh Set.

etching

Edgar Ritchard (1908–1984)

The Egg Slice.

Artist: UNKNOWN | Title: The eighth National Conference of Lesbians and Homosexual Men: Building the Gay movement | Date: 1982 | Technique: screenprint, printed in colour from two stencils

UNKNOWN

The eighth National Conference of Lesbians and Homosexual Men: Building the Gay movement

(1982)

screenprint

Tony Convey (1946–)

The Eldorado mining disaster.

(1983)

etching

Artist: Nedelkopoulos, Nicholas. | Title: The elements and the lonely desperation | Date: 1975 | Technique: etching, printed in black ink, from one plate

Nicholas Nedelkopoulos (1955–)

The elements and the lonely desperation

(1975)

etching

Artist: White, Sheona. | Title: The Elks. | Date: 1981 | Technique: screenprint, printed in black ink, from one stencil

Sheona White

The Elks.

(1981)

screenprint

The embrace.

(1994)

etching

Ethel Gabain (1853–1950)

The Emerald Ring original.

etching

Title: The emigrants' farewell | Date: 1860 | Technique: engraving, printed in black ink, from one plate; hand-coloured

The emigrants' farewell

(1860)

engraving

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Emperor | Head of a cock | The white cock | The white cockerel

(1922)

wood-engraving

Roger Cutforth (1944–2019)

The Empire State building - A reference work 1969. A book containing 11 leaves. Second edition 1971.

(1971)

offset-lithograph

Artist: White, Susan Dorothea. | Title: The empty chair | Date: 1980 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Susan Dorothea White (1941–)

The empty chair

(1980)

lithograph

Artist: AMOR, Rick | Title: The empty district (imaginary place). | Date: 1996 | Technique: etching, printed in black ink, from one plate

Rick Amor (1948–)

The empty district (imaginary place).

(1996)

etching

Percival Gaskell (1868–1934)

The Enchanted Castle.

etching

The end.

(1987)

etching and aquatint

Franz Kempf (1926–2020)

The end of day.

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Henri Van Raalte (1881–1929)

The end of day

(c.1927)

aquatint

Jessie Traill (1881–1967)

The end of day, Red Cliffs.

(1923)

etching and aquatint