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WORKS 44381 – 44400 of 54294 IMAGES ONLY

Brett Whiteley (1939–1992)

The divided unity.

(1974)

Screenprint

Artist: Haxton, Elaine | Title: The divine archer | Date: 1967 | Technique: open-bite etching and aquatint, printed in colour

Elaine Haxton (1909–1999)

The divine archer

(1967)

open-bite etching and aquatint

Artist: Haxton, Elaine | Title: The divine archer | Date: c.1967 | Technique: open-bite etching and aquatint, printed in black ink, from one plate

Elaine Haxton (1909–1999)

The divine archer

(c.1967)

open-bite etching and aquatint

Artist: McDonald, Linsay. | Title: The DMC Australian dj mixing competition | Date: 1990 | Technique: screenprint, printed in black ink, from one stencil

Linsay Mcdonald

The DMC Australian dj mixing competition

(1990)

screenprint

Albany E. Howarth (1872–1936)

The Dochart, Perthshire.

etching

Artist: Armstrong, Bruce. | Title: The doctor. | Date: 1988 | Technique: softground etching, printed in black ink, from one plate

Bruce Armstrong (1957–2024)

The doctor.

(1988)

softground etching

Gayfield Shaw (1885–1961)

The doctor's garden.

Artist: LINDSAY, Lionel | Title: The Doctor's house, Windsor, NSW | Date: 1919 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Doctor's house, Windsor, NSW

(1919)

etching and aquatint

Artist: AMOR, Rick | Title: The dog. | Date: 1989 | Technique: monotype, printed in black ink, from one plate

Rick Amor (1948–)

The dog.

(1989)

monotype

Artist: AMOR, Rick | Title: The dog | Date: 1999, February | Technique: etching, printed in black ink, from one plate | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Rick Amor (1948–)

The dog

(1999, February)

etching

Artist: Taylor, John H. | Title: The dog | Date: 1952 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The dog

(1952)

linocut

Artist: McBurnie, Ron. | Title: The dog as a philosopher | Date: 1987 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Ron McBurnie

Ron Mcburnie (1957–)

The dog as a philosopher

(1987)

softground-etching

Artist: HANRAHAN, Barbara | Title: The dog will come when he is called | Date: 1962 | Technique: linocut, printed in colour, from four blocks

Barbara Hanrahan (1939–1991)

The dog will come when he is called

(1962)

linocut

Artist: HANRAHAN, Barbara | Title: The dog will come when he is called | Date: 1962 | Technique: linocut, printed in black ink, from two blocks

Barbara Hanrahan (1939–1991)

The dog will come when he is called

(1962)

linocut

Artist: HANRAHAN, Barbara | Title: The dog, the cat | Date: 1962 | Technique: linocut, printed in black ink, from two blocks, hand-coloured

Barbara Hanrahan (1939–1991)

The dog, the cat

(1962)

linocut

Artist: EWINS, Rod | Title: The Doll (The Residence V). | Date: 1983, December | Technique: photo-etching and aquatint, printed in black ink, from one plate

Rod Ewins (1940–)

The Doll (The Residence V).

(1983, December)

photo-etching and aquatint

D.G. Reid (1862–1933)

The Doll's House.

etching

Artist: Carmichael, John. | Title: The Dombey family | Date: 1847 | Technique: etching, printed in black ink, from one plate

John Carmichael (1811–1857)

The Dombey family

(1847)

etching

James Flett (1906–1986)

The Dominican.

Artist: Lanceley, Colin. | Title: The Don, the Virgin and the Penitents | Date: 1972 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

The Don, the Virgin and the Penitents

(1972)

screenprint