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WORKS 44221 – 44240 of 54187 IMAGES ONLY
Title: (The Derwent Bank). | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

(The Derwent Bank).

(1834)

lithograph

The Derwent below the dry creek

(1867)

lithograph

The Derwent, below New Norfolk

(1867)

lithograph

Artist: Truck, Fred. | Title: The Des Moines Festival of the Avante, Cookie Press, Melbourne. | Date: 1979

Fred Truck (1979–)

The Des Moines Festival of the Avante, Cookie Press, Melbourne.

(1979)

Artist: Cook, Maureen. | Title: The desert sisters, Luxor, Alice. | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Maureen Cook (1954–)

The desert sisters, Luxor, Alice.

(1985)

screenprint

Artist: Cook, Maureen. | Title: The desert sisters, Luxor, Alice. | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Maureen Cook (1954–)

The desert sisters, Luxor, Alice.

(1985)

screenprint

Herbert Gallop (1890–1958)

The deserted farm

(1922)

etching

Raymond Mcgrath (1903–1977)

The deserted farmhouse, Ermington.

Title: The Deserted Home | Date: c. 1921 | Technique: etching, printed in sepia ink, from one plate

The Deserted Home

(c. 1921)

etching

Nutter Buzacott (1905–1977)

The deserted hopmill.

(c.1930)

linocut

Artist: LINDSAY, Lionel | Title: The deserted house, Creswick | Date: 1923 | Technique: aquatint and etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The deserted house, Creswick | The Ferns

(1923)

aquatint and etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The deserted selection. | The old hut.

(1923)

line-etching

Artist: LINDSAY, Lionel | Title: The deserted shrine. | Date: 1907 | Technique: etching and aquatint, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The deserted shrine.

(1907)

etching and aquatint

Helen Farmer (1888–1970)

The deserted tenement.

Artist: Speirs, Andrew. | Title: The Design Workshop: hand printed designs in fabric. | Date: 1978 | Technique: screenprint, from one stencil

Andrew Speirs (1957–)

The Design Workshop: hand printed designs in fabric.

(1978)

screenprint

Artist: French, Len. | Title: (The destruction of Troy). | Date: (1955) | Technique: lithograph, printed in black ink, from one plate | Copyright: © Leonard French. Licensed by VISCOPY, Australia

Len French (1928–2017)

(The destruction of Troy).

((1955))

lithograph

The deteriorated image.

(c.1976)

screenprint

Artist: SHEARER, Mitzi | Title: The devil's playmate | Date: 1983-92 | Technique: etching, printed in black ink, from one plate

Mitzi Shearer (1909–1995)

The devil's playmate

(1983-92)

etching

Artist: SHEARER, Mitzi | Title: The devil's playmates | Date: 1979 | Technique: etching, aquatint, printed in black ink, from two plates (two images)

Mitzi Shearer (1909–1995)

The devil's playmates

(1979)

etching

Artist: Angas, George French. | Title: The Devil's Punch Bowl, Mt Gambier. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

The Devil's Punch Bowl, Mt Gambier.

(1846-47)

lithograph