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WORKS 44101 – 44120 of 54187 IMAGES ONLY
Artist: Klose, Simon. | Title: The cup, the ring | Date: 1983 | Technique: lithograph, printed in black ink, from one stone

Simon Klose (1951–)

The cup, the ring

(1983)

lithograph

Title: The curate's journey | Date: 1988 | Technique: screenprint, printed in colour, from multiple stencils

The curate's journey

(1988)

screenprint

Lionel Lindsay (1874–1961)

The Currency Lass.

Norman Lindsay (1879–1969)

The curtain

(1919)

etching

Artist: Ashton, Julian. | Title: The curtsy. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

Julian Ashton (1851–1942)

The curtsy. | The dancer

(1893)

etching

F.C. Terry (1825–1869)

The Custom House, Circular Quay. | Australian Keepsake 1855

(1855)

engraving

Salvatore Zofrea (1946–)

The customs chocolate heart

(1994-1999)

woodcut

The customs chocolate heart.

(1994-1999)

woodcut

F.C. Terry (1825–1869)

The Customs House, Circular Quay

(1853)

engraving

F.C. Terry (1825–1869)

The Cut in Argyle Street. | Australian Keepsake 1855

(1855)

engraving

Title: The cutting in | Date: 1848 | Technique: lithograph, printed in colour, from two stones

The cutting in

(1848)

lithograph

John Goodchild (1898–1980)

The Cutting Underground.

Artist: Kohlhagen, Lisette. | Title: The Cyclamen. | Date: c.1938 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: © Lisette Kohlhagen. Licensed by VISCOPY, Australia

Lisette Kohlhagen (1890–1969)

The Cyclamen.

(c.1938)

woodcut

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The D'Oyley Show: An exhibition of Women's Domestic Needlework. Watters Gallery. | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils

EARTHWORKS POSTER COLLECTIVE (1972–1979)

The D'Oyley Show: An exhibition of Women's Domestic Needlework. Watters Gallery.

(1979)

screenprint

Artist: UNKNOWN | Title: The D'Oyley Show: An exhibition of Women's Domestic Needlework. Watters Gallery. | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

The D'Oyley Show: An exhibition of Women's Domestic Needlework. Watters Gallery.

(1981)

screenprint

Workers Art Club [Sydney]. (1932–)

The daily dope

(1932)

linocut

Artist: REDBACK GRAPHIX | Title: The Daily Oppression | Date: 1982 | Technique: screenprint, printed in colour, from five stencils | Copyright: © Michael Callaghan

REDBACK GRAPHIX (1980–1994)

The Daily Oppression

(1982)

screenprint

Artist: Hormann, Margaret. | Title: The dairy | Date: 1986 | Technique: wood engraving, printed in black ink, from one block

Margaret Hormann (1986–)

The dairy | the dalry

(1986)

wood engraving

Herbert Gallop (1890–1958)

The Dairy Farm.

drypoint

Jessie Traill (1881–1967)

The Dam, Small Pump, Red Cliffs.

etching