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WORKS 44061 – 44080 of 54294 IMAGES ONLY

David Barker (1888–1946)

The coffee shop, Baghdad.

Victor Cobb (1876–1945)

The coffee stall.

mezzotint

Eric Thake (1904–1982)

'The Coffin Lifebuoy'.

linocut

Charles Nuttall (1872–1934)

The Coilseum, Rome.

Artist: FEINT, Adrian | Title: The collector. | Date: (1925) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

The collector.

((1925))

etching

Artist: Nicholas, William. | Title: The collector of customs (Colonel Gibbes) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The collector of customs (Colonel Gibbes)

(1847)

pen-lithograph

Artist: PLUNKETT, Jennifer | Title: The Collingwood Pool | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Jennifer Plunkett (1950–)

The Collingwood Pool

(1981)

lithograph

Artist: PLUNKETT, Jennifer | Title: The Collingwood Pool | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Jennifer Plunkett (1950–)

The Collingwood Pool

(1981)

lithograph

Artist: PLUNKETT, Jennifer | Title: The Collingwood Pool 5 | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Jennifer Plunkett (1950–)

The Collingwood Pool 5

(1981)

lithograph

Artist: PLUNKETT, Jennifer | Title: The Collingwood Pool 6 | Date: 1981 | Technique: lithograph, printed in black ink, from one stone

Jennifer Plunkett (1950–)

The Collingwood Pool 6

(1981)

lithograph

Artist: PLUNKETT, Jennifer | Title: The Collingwood Pool [number in series The Collingwood Swimming Pool unknown] | Date: 1981 | Technique: lithograph, printed in black ink from one stone

Jennifer Plunkett (1950–)

The Collingwood Pool [number in series The Collingwood Swimming Pool unknown]

(1981)

lithograph

Artist: Clarke, Neilton. | Title: The Colloquial Gun. | Date: 1993 | Technique: woodcut; engraving; embossing

Neilton Clarke (1958–)

The Colloquial Gun.

(1993)

woodcut; engraving; embossing

Artist: LINDSAY, Lionel | Title: The colloquy | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The colloquy | Don Quixote and Sancho Panza

(1922)

wood-engraving

Title: The Colonist; A weekly jornal of politics, commerce, agriculture. Volume 1. Sydney; Henry Bull, 1835-1836. | Date: 1835-1836 | Technique: letterpress; lithographs, printed in black ink, from one stone each

The Colonist; A weekly jornal of politics, commerce, agriculture. Volume 1. Sydney; Henry Bull, 1835-1836.

(1835-1836)

letterpress; lithographs

Artist: Bowen, Dean. | Title: The coloured factories | Date: 1988 | Technique: etching, printed in red, yellow and black ink, from three plates

Dean Bowen (1957–)

The coloured factories

(1988)

etching

Artist: Thorpe, Lesbia. | Title: The columns of Taiwan | Date: 1977 | Technique: linocut, printed in colour, from two blocks

Lesbia Thorpe (1919–2009)

The columns of Taiwan

(1977)

linocut

Artist: Edgar Ray & Co. | Title: The coming man. | Date: 1858 | Technique: wood-engraving, printed in black ink, from one block

Edgar Ray & Co. (1857–1859)

The coming man.

(1858)

wood-engraving

Bruce Robertson (1872–1943)

The coming storm.

Alan Mcculloch (1907–1992)

The coming storm.

Bruce Robertson (1872–1943)

The coming storm, Pittenween, Fife.