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WORKS 44001 – 44020 of 54187 IMAGES ONLY

Thomas Friedensen (1879–1931)

The Conservation of Music, Sydney.

etching

Artist: Allen, Joyce. | Title: The conspirators. | Date: 1963 | Technique: linocut, printed in black ink, from one block

Joyce Allen (1916–1992)

The conspirators.

(1963)

linocut

James Crisp (1879–1962)

The conspirators.

(1925)

Artist: Jack, Kenneth. | Title: The constable and his family, Gulgong | Date: 1953 | Technique: lithograph, printed in colour, from three zinc plates | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

The constable and his family, Gulgong

(1953)

lithograph

Artist: LINDSAY, Lionel | Title: The Constable's Chapel, Burgos | Date: 1944 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Constable's Chapel, Burgos

(1944)

etching

Artist: ARNOLD, Raymond | Title: The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart. | Date: 1984 | Technique: screenprint, printed in colour, from three stencils

Raymond Arnold (1950–)

The constructed image, an exhibition of photographs by Ruth Frost and Anne McDonald, Chameleon, Hobart.

(1984)

screenprint

Artist: Gittoes, George. | Title: The consultation. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The consultation.

(1971)

etching

Artist: Payne, Patsy. | Title: The contents of my world | Date: 1992 | Technique: wood-engraving, printed in black ink, from one block

Patsy Payne (1955–)

The contents of my world

(1992)

wood-engraving

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

Artist: LINDSAY, Lionel | Title: The Convent of Huelgas near Bourgos | Date: 1927 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Convent of Huelgas near Bourgos | Huelgas

(1927)

drypoint

G.W.L. Hirst (1868–1965)

The Convent, Rose Bay.

G.W.L. Hirst (1868–1965)

The Convent, Rose Bay.

pencil drawing

Geoffrey Ingleton (1908–1998)

The convict ship Surrey.

(1930s)

etching

Jessie Mackintosh (1893–1957)

The cook.

Artist: Dyson, Will. | Title: The cookers near Villers-Brettoneux. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone Arnold unbleached

Will Dyson (1880–1938)

The cookers near Villers-Brettoneux.

(1918)

lithograph

Fred Campbell (1851–1930)

The cool stores.

Artist: Rawling, Charles W. | Title: The cooling tower | Date: 1925 | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

Charles W. Rawling (1901–1996)

The cooling tower

(1925)

etching and foul biting

Sydney Ure Smith (1887–1949)

The cooperage.

Sydney Ure Smith (1887–1949)

The cooperage.

(1918)

Artist: Bowen, Dean. | Title: The copper mine | Date: 1989 | Technique: lithograph, printed in colour, from multiple stones

Dean Bowen (1957–)

The copper mine

(1989)

lithograph