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WORKS 43981 – 44000 of 54187 IMAGES ONLY

Alan Mcculloch (1907–1992)

The coming storm.

Bruce Robertson (1872–1943)

The coming storm, Pittenween, Fife.

Title: (The Commercial Bank). | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

(The Commercial Bank).

(1834)

lithograph

Title: The Commissioner's Camp, Castlemaine, in 1852 (Mount Alexander). | Date: c.1853 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

The Commissioner's Camp, Castlemaine, in 1852 (Mount Alexander).

(c.1853)

lithograph

Artist: REDBACK GRAPHIX | Title: The Commonwealth of Australia Film and Television program | Date: c1990 | Technique: offset-lithograph

REDBACK GRAPHIX (1980–1994)

The Commonwealth of Australia Film and Television program

(c1990)

offset-lithograph

The company's bridge, from an original in the possession of G. James, Norfolk Arms, Rundle Street, Adelaide 1856

(1856)

lithograph

Alexander Schramm (1813–1864)

The compay's bridge.

(c.1856)

lithograph

Title: The complete works of Gaius Petronius. | Date: 1927

The complete works of Gaius Petronius.

(1927)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The compliment

(1924)

etching

Title: The comrade

The comrade

Vic O'Connor (1918–2010)

The concierige - Paris.

linocut

Leslie Ward (1895–1978)

The condemned dwelling.

George.. Bell (1878–1966)

The conductor.

(1930)

linocut

B.J. Waterhouse (–1965)

The Conduit, Sherborne.

pencil drawing

James Crisp (1879–1962)

The conference.

Artist: Lasisi, David. | Title: The confused one | Date: 1976 | Technique: screenprint, printed in brown ink, from one screen

David Lasisi (1955–)

The confused one

(1976)

screenprint

Artist: Lasisi, David. | Title: The confused one | Date: 1976 | Technique: screenprint, printed in red ink, from one stencil

David Lasisi (1955–)

The confused one

(1976)

screenprint

Title: The Congregational Church, Pitt Street Sydney. | Date: 1848 | Technique: engraving, printed in black ink, from one plate; hand-coloured

The Congregational Church, Pitt Street Sydney.

(1848)

engraving

Artist: GRIFFITH, Pamela | Title: The conical helix of the Murex | Date: 1986 | Technique: hard ground, aquatint, sugarlift, burnishing, printed from two zinc plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The conical helix of the Murex

(1986)

hard ground

Yoshijiro Urushibara (1888–1953)

'The Conies'.