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WORKS 43841 – 43860 of 54294 IMAGES ONLY

Lawrence Daws (1927–)

The cage.

(1970 - 1972)

screenprint

Artist: Daws, Lawrence. | Title: The cage. | Date: 1970-72 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Lawrence Daws

Lawrence Daws (1927–)

The cage.

(1970-72)

screenprint

Grahame King (1915–2008)

The Cage.

Artist: King, Grahame. | Title: The cage | Date: 1977 | Technique: lithograph, printed in colour, from five stones [or plates]

Grahame King (1915–2008)

The cage

(1977)

lithograph

Artist: BALDESSIN, George | Title: The cage (figure in enclosure). | Date: 1966 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

The cage (figure in enclosure).

(1966)

etching and aquatint

Artist: Febey, Rodney. | Title: The Calhouns. | Date: 1982 | Technique: photocopy, printed in black ink, from hand drawn artwork

Rodney Febey (1982–)

The Calhouns.

(1982)

photocopy

Norman Lindsay (1879–1969)

The call of humanity

offset lithograph

Pamela Griffith (1943–)

The calling.

(1994)

hardground-etching and aquatint

Brett Colquhoun (1958–)

The Camera. | Light & photography: a suite of 10 etchings

(2003)

etching

The camp.

(1934)

monotype

Fred Campbell (1851–1930)

The Camp.

Alfred Edward Warner (1879–1968)

The Camp.

etching

Tim Storrier (1949–)

The camp at Relay

(1977)

Leslie James Walker (1894–1951)

The Camp Beside the Sea.

Artist: Long, Sydney. | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The camp in the forest

(1920)

softground-etching

Japanese printmaker.

The canal.

Helen Stewart (1900–1983)

The canal.

H.P. Hoggitt

The canal.

Will Ashton (1881–1963)

The Canal Brescon Martigues, France.

etching

Roland Robinson (1912–1992)

The canoe and the morning star

(1956)