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WORKS 43741 – 43760 of 54294 IMAGES ONLY
Artist: Debenham, Pam. | Title: The British Show Forum. | Date: 1985 | Technique: screenprint, printed in colour, from one stencil

Pam Debenham (1955–)

The British Show Forum.

(1985)

screenprint

Artist: Debenham, Pam. | Title: The British Show Forum. Power Foundation. | Date: 1985 | Technique: screenprint, printed in blue ink, from one stencil

Pam Debenham (1955–)

The British Show Forum. Power Foundation.

(1985)

screenprint

Artist: Broadsheet Publishers. | Title: The Broadsheet 1: Napalm Sunday. | Date: 1967 | Technique: relief, printed in black ink, each from one block

Broadsheet Publishers. (1967–1971)

The Broadsheet 1: Napalm Sunday.

(1967)

relief

Artist: Turner, A. | Title: The Broadsheet 2: The Great Australian Summer - 9 individual prints by 4 artists on one sheet. | Date: 1967 | Technique: relief, printed in colour, from two blocks,

A. Turner (1967–)

The Broadsheet 2: The Great Australian Summer - 9 individual prints by 4 artists on one sheet.

(1967)

relief

Artist: Petty, Bruce. | Title: The Broadsheet 3: Where are all the flowers going - 3 individual prints by 3 artists on one sheet. | Date: 1968 | Technique: relief, printed in colour, from two blocks | Copyright: The Alan Oldfield Bequest

Bruce Petty (1929–2023)

The Broadsheet 3: Where are all the flowers going - 3 individual prints by 3 artists on one sheet.

(1968)

relief

Artist: Counihan, Noel. | Title: The Broadsheet 4: Up you, Cazaly! - 6 individual prints by 5 artists on one sheet. | Date: 1968 | Technique: relief-etching, printed in colour, from two blocks

Noel Counihan (1913–1986)

The Broadsheet 4: Up you, Cazaly! - 6 individual prints by 5 artists on one sheet.

(1968)

relief-etching

Artist: SIME, Ian | Title: The Broadsheet 5: The pius pill | Date: 1968 | Technique: screenprint, printed in colour, from two stencils

Ian Sime (1926–1989)

The Broadsheet 5: The pius pill

(1968)

screenprint

Artist: Counihan, Noel. | Title: The Broadsheet 6: A time for peace. | Date: 1970 | Technique: linocut, printed in colour, from two blocks

Noel Counihan (1913–1986)

The Broadsheet 6: A time for peace.

(1970)

linocut

Artist: Broadsheet Publishers. | Title: The Broadsheet 8: Winter soltice | Date: 1971 | Technique: relief, printed in colour, from two blocks

Broadsheet Publishers. (1967–1971)

The Broadsheet 8: Winter soltice

(1971)

relief

Artist: VARIOUS | Title: The broadsheet: 1 | Date: 1967 | Technique: relief prints, printed in black ink, each from one block

VARIOUS

The broadsheet: 1

(1967)

relief prints

Artist: Counihan, Noel. | Title: The Broadsheet: 4 Up you, Cazaly!. | Date: 1968 | Technique: relief-etching

Noel Counihan (1913–1986)

The Broadsheet: 4 "Up you, Cazaly!".

(1968)

relief-etching

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The broken fence

(1923)

wood-engraving

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1924 | Technique: woodengraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The broken fence

(1924)

woodengraving

John A. Munro (1901–1977)

The broken fence

(1930)

etching

L. Roy Davies (1897–1979)

The broken fence.

Helen Farmer (1888–1970)

The broken gate.

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

The broken plough

(c.1923)

etching

Artist: GLEGHORN, Tom. | Title: The broken sea | Date: 1961 | Technique: woodcut, printed in black ink, from one masonite block | Copyright: © Thomas Gleghorn

Tom Gleghorn (1925–)

The broken sea

(1961)

woodcut

F. Millward Grey (1899–1957)

The broken strap.

Artist: Taylor, John H. | Title: The brolga | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The brolga

linocut