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WORKS 43481 – 43500 of 54294 IMAGES ONLY
Artist: Spowers, Ethel. | Title: The bee. | Date: c.1925 | Technique: linocut, printed in colour in the Japanese manner, from multiple blocks

Ethel Spowers (1890–1947)

The bee.

(c.1925)

linocut

Artist: Buckley, Sue. | Title: The beehive. | Date: 1980 | Technique: woodcut, printed in colour, from multiple blocks; lithograph, printed in colour; screenprinted, printed in colour | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

The beehive.

(1980)

woodcut

B.E. Minns (1864–1937)

The bees' nest.

(1924)

etching

Artist: Hawkins, Weaver. | Title: The beginning | Date: 1963 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

The beginning

(1963)

woodcut

Ruth Faerber (1922–2024)

The Beginning.

Artist: JENUARRIE | Title: The beginning II | Date: 1986 | Technique: llinocut, printed in black from one block

JENUARRIE (1944–)

The beginning II

(1986)

llinocut

Artist: Hirschfeld Mack, Ludwig. | Title: The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso} | Date: (1960-65) | Technique: transfer print; watercolour addition (recto)

Ludwig Hirschfeld Mack (1893–1965)

The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso}

((1960-65))

transfer print; watercolour addition (recto)

The beginning of Lent.

(1994-1999)

woodcut

Salvatore Zofrea (1946–)

The beginning of Lent

(1994-1999)

woodcut

Charles Nuttall (1872–1934)

The Beguinage, Bruges.

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1996 | Technique: linocut, printed in black ink, from one block

Tony Bonetti (1953–)

The beheading of the forerunner

(1996)

linocut

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1997, June | Technique: linocut and woodblock, printed in colour, from four blocks

Tony Bonetti (1953–)

The beheading of the forerunner

(1997, June)

linocut and woodblock

Artist: Long, Sydney. | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

A.H. Fullwood (1863–1930)

The Belgian Set.

Thomas Friedensen (1879–1931)

The Belgian windmill.

A.H. Fullwood (1863–1930)

The Bell Inn at Stilton. | The Bell, Stilton.

A.S. Hartrick (1864–1950)

The Bellringers.

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The belly of Capitalism is never full | Date: 1978 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Raymond John Young

EARTHWORKS POSTER COLLECTIVE (1972–1979)

The belly of Capitalism is never full

(1978)

screenprint

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1974 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1974)

etching

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1961 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1961)

drypoint