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WORKS 42341 – 42360 of 54187 IMAGES ONLY

Elizabeth Rooney (1929–2016)

Sydney's Looking Good No. 3 50 William St, still, I think. Wrecking becoming more ferocious, noise, dirt adding to confusion. Being pushed aside by construction workers is part of the game. Yes, it is/was William St. There goes Whisky au Go Go.

Elizabeth Rooney (1929–2016)

Sydney's Looking Good No. 4 50 1971-2. Trapped in endless Developers' cloisters. Through a break in the traffic the sign reads "livetti SUM" with the arrow indicating the total direction.

Elizabeth Rooney (1929–2016)

Sydney's Looking Good No. 5 50 1971-2. It must be York St. Those school children on the daily trip to and fro will either have permanently damaged eyes, ears, lungs, etc., or conditioning for the next 40 years of "progress".

Elizabeth Rooney (1929–2016)

Sydney's Looking Good No. 6 50 H is for? Holes, Hooks, Hell!!!.

Elizabeth Rooney (1929–2016)

Sydney's Looking Good No. 7 50 1972. There goes the Tank Stream among other things. The Battle must end soon - Ruthless Brutality will win. We can't take much more. Old Sydney nearly all gone.

Elizabeth Rooney (1929–2016)

Sydney's Looking Good No. 8 50 The Battle is over! Dare we hope? No - it has only stopped temporarily. Shortage of funds? Jack Mundey? A moment of mourning for a murdered city?.

Sydney Ure Smith (1887–1949)

Sydney, from Bay Road.

John Goodchild (1898–1980)

Sydney, from Bradley's Head.

John Goodchild (1898–1980)

Sydney, from Milson's Point. | Sydney, from Milsom's Point [sic].

(1930s?)

etching

Artist: PROUT, John Skinner | Title: Sydney, from Mrs Darling's Point. | Date: 1842 | Technique: lithograph, printed in colour, from two stones (black and brown tint stone)

John Skinner Prout (1805–1876)

Sydney, from Mrs Darling's Point.

(1842)

lithograph

Artist: TERRY, F.C. | Title: Sydney, from Old Point Piper Road | Date: 1855 | Technique: engraving, printed in black ink, from one steel plate

F.C. Terry (1825–1869)

Sydney, from Old Point Piper Road | Australian Keepsake

(1855)

engraving

Artist: SHIRLOW, John | Title: Sydney, from Taronga Park | Date: 1918 | Technique: etching, printed in black ink, from one copper plate

John Shirlow (1869–1936)

Sydney, from Taronga Park

(1918)

etching

F.C. Terry (1825–1869)

Sydney, from the old Point Piper Road. | Australian Keepsake 1855

(1855)

engraving

F.C. Terry (1825–1869)

Sydney, from the Old Point Piper Road

(1853)

engraving

Artist: Carmichael, John. | Title: Sydney, from Woolloomooloo Hill. | Date: 1829 | Technique: engraving, printed in black ink, from one copper plate

John Carmichael (1811–1857)

Sydney, from Woolloomooloo Hill.

(1829)

engraving

F.C. Terry (1825–1869)

Sydney, Garden Island, Pinchgut, and Clark's Island, from Point Piper. | Australian Keepsake 1855: Sydney Garden Island, Pinchgut, etc. from Point Piper.

(1855)

engraving

Artist: SIDMAN, William | Title: Sydney. The Harbour from Watson's Bay | Date: 1890s | Technique: etching, printed in black ink with plate-tone, from one copper plate

William Sidman (1847–1918)

Sydney. The Harbour from Watson's Bay

(1890s)

etching

Artist: FEINT, Adrian | Title: Sydney; I take but I surrender. | Date: c.1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

Sydney; I take but I surrender.

(c.1930)

wood-engraving

Christopher Coveny (1846–1941)

Sykes in Jacob's Island ).

Artist: Coveny, Christopher. | Title: Sykes in Jacob's Island. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

Sykes in Jacob's Island.

(1882)

etching