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WORKS 37121 – 37140 of 54702 IMAGES ONLY
Artist: UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP) | Title: Redgum, all over: 'The Great Court' Monday 3rd August Lunch Time | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP)

Redgum, all over: 'The Great Court' Monday 3rd August Lunch Time

(1981)

screenprint

Artist: Platt, Austin. | Title: Redlands, Cremorne | Date: 1935 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

Redlands, Cremorne

(1935)

etching

Artist: Clutterbuck, Bob. | Title: Redletter. | Date: 1984 | Technique: screenprint, printed in colour, from multiple stencils

Bob Clutterbuck (1951–)

Redletter.

(1984)

screenprint

Artist: Hamel Brothers. | Title: Redmond Barry | Date: c.1890 | Technique: lithograph

Hamel Brothers. (1894–)

Redmond Barry

(c.1890)

lithograph

Victor Cobb (1876–1945)

Redmond Barry's old house. [2]. | Melbourne's first public library.

(1920 (exhibited))

mezzotint

Artist: HANRAHAN, Barbara | Title: Reece | Date: 1982 | Technique: screenprint, printed in colour, from 13 stencils

Barbara Hanrahan (1939–1991)

Reece

(1982)

screenprint

Artist: Lewin, J.W. | Title: Reed warbler. | Date: January 1805 | Technique: etching, printed in black ink, from one copper plate; hand-coloured

J.W. Lewin (1770–1819)

Reed warbler.

(January 1805)

etching

Artist: MEYER, Bill | Title: Reeds in Kinneret | Date: 1990 | Technique: etching, printed in blue and black ink, from one zinc plate; a la poupee and plate-tone | Copyright: © Bill Meyer

Bill Meyer (1942–)

Reeds in Kinneret

(1990)

etching

Artist: von Guérard, Eugene | Title: Reedy Creek Falls near Beechworth | Date: (1866 - 68) | Technique: lithograph, printed in colour, from multiple stones [or plates]

Eugene Von Guérard (1811–1901)

Reedy Creek Falls near Beechworth

((1866 - 68))

lithograph

Margaret Wilson (1939–)

Reef (Arches 88).

Artist: Gordon, Robyn. | Title: Reef fish magic | Date: 1993 | Technique: screenprint, printed in colour, from multiple stencils

Robyn Gordon (1943–)

Reef fish magic

(1993)

screenprint

Artist: EARTHWORKS POSTER COLLECTIVE | Title: Reefer madness: A nostalgic look at dope: 1930s style. | Date: 1974 | Technique: screenprint, printed in black ink, from one stencil

EARTHWORKS POSTER COLLECTIVE (1972–1979)

Reefer madness: A nostalgic look at dope: 1930s style.

(1974)

screenprint

Chips Mackinolty (1954–)

Reefer madness: A nostalgic look at dope: 1930s style.

(1974)

screenprint

Artist: MACKINOLTY, Chips | Title: Reefer madness: A nostalgic look at dope: 1930s style. | Date: 1974 | Technique: screenprint, printed in black ink, from one stencil

Chips Mackinolty (1954–)

Reefer madness: A nostalgic look at dope: 1930s style.

(1974)

screenprint

Artist: MACKINOLTY, Chips | Title: Reefer madness: A nostalgic look at dope: 1930s style. | Date: 1974 | Technique: screenprint, printed in black ink, from one stencil

Chips Mackinolty (1954–)

Reefer madness: A nostalgic look at dope: 1930s style.

(1974)

screenprint

Artist: UNKNOWN (PAT) | Title: Reefer rendezvous...Cellar Holme Building. Music: Chetto & Wasted Daze. | Date: 1979 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN (PAT)

Reefer rendezvous...Cellar Holme Building. Music: Chetto & Wasted Daze.

(1979)

screenprint

Artist: SYDNEY UNIVERSITY FEMINISTS | Title: Refactory Girl Dance | Technique: screenprint, printed in colour, from multiple stencils

SYDNEY UNIVERSITY FEMINISTS (1974–)

Refactory Girl Dance

screenprint

Title: Refer to the last work | Date: 1970 | Technique: pen and ink on typescript on offset-lithograph and xerox

Refer to the last work

(1970)

pen and ink on typescript on offset-lithograph and xerox

Lionel Lindsay (1874–1961)

Refitting Berry's Bay.

Title: Refitting HMAS Brisbane Sydney | Date: 1935 | Technique: etching, printed in blue ink, from one plate

Refitting HMAS Brisbane Sydney

(1935)

etching