Browse

WORKS 33201 – 33220 of 54426 IMAGES ONLY

Cedric Emanuel (1906–1995)

Our Back Drawing.

Livingston Hopkins (1846–1927)

Our Beautiful Harbour.

etching

Artist: Watson, Judy. | Title: our bones in your collections. | Date: 1997 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

our bones in your collections.

(1997)

lithograph

Artist: Kennedy, Roy. | Title: Our bridge on the Murrumbidgee | Date: c.1999 | Technique: etching, printed in black ink, from one plate

Roy Kennedy (1934–2021)

Our bridge on the Murrumbidgee

(c.1999)

etching

John Stephen Hampton (1850–)

Our Candidate / mid-1850s Tasmanian political cartoon.

(c.1855)

lithograph

Title: Our convicts what we do and what becomes of them | Date: c.1865 | Technique: lithograph, printed in black ink, from one stone, hand-coloured

Our convicts what we do and what becomes of them

(c.1865)

lithograph

Our convicts what we do and what becomes of them

(c.1865)

lithograph

Andrew Hill (1952–)

Our culture

(1986)

screenprint

Artist: Dyson, Will. | Title: Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce.

(c.1929)

etching

Artist: Calvert, Samuel. | Title: Our engraver as he appears through the week. | Date: 1856 | Technique: wood-engravings, printed in black ink, each from one block

Samuel Calvert (1828–1913)

Our engraver as he appears through the week.

(1856)

wood-engravings

Our family

(c.1978)

screenprint

Juergen Schossau (1960–)

Our Fine Feathered Friend.

Artist: Bell, Michael. | Title: Our girls pick the best fruit | Date: 1994 | Technique: etching, aquatint and open-bite, printed in black ink, from one plate

Michael Bell (1959–)

Our girls pick the best fruit

(1994)

etching

Artist: Watson, Judy. | Title: our hair in your collections. | Date: 1997 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Judy Watson. Licensed by VISCOPY, Australia

Judy Watson (1959–)

our hair in your collections.

(1997)

lithograph

David Rankin (1946–)

Our home.

(1986)

screenprint

Artist: Gittoes, George. | Title: Our house | Date: 1991 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

Our house

(1991)

etching

Artist: Dyson, Will. | Title: Our immortals: Of course my dear Dean Inge, I am biased, my son was a carpenter.. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: "Of course my dear Dean Inge, I am biased, my son was a carpenter.".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances. | Date: 1929 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Will Dyson (1880–1938)

Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances.

(1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances.

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Count Leo Tolstoy suspecting sensuality.