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WORKS 1741 – 1760 of 32053 IMAGES ONLY
Artist: AMOR, Rick | Title: Arthurs Creek. | Date: 1992 | Technique: etching, printed in black ink with plate-tone, from one plate

Rick Amor (1948–)

Arthurs Creek.

(1992)

etching

Artist: Fisher, John | Title: Articulating a Paradigm, Sydney. A book containing [30]pp.

John Fisher (1921–)

Articulating a Paradigm, Sydney. A book containing [30]pp.

Artist: MADDOCK, Bea | Title: Artifacts from Tromemanner. | Date: 1990 | Technique: etching, engraving, colour monotype and letterpress

Bea Maddock (1934–2016)

Artifacts from Tromemanner.

(1990)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature I. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature I.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature II. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature II.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature III. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature III.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature IV. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature IV.

(c.1993)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature V. | Date: 1992 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature V.

(1992)

etching

Artist: ARNOLD, Raymond | Title: Artificial nature VI. | Date: c.1993 | Technique: etching, printed in red and black ink, from two plates

Raymond Arnold (1950–)

Artificial nature VI.

(c.1993)

etching

Artist: WILLIAMS, Fred | Title: Artist | Date: 1955-56 | Technique: etching, aquatint, drypoint and flat biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

Artist

(1955-56)

etching

Title: Artist | Date: 1980 | Technique: drypoint, printed in black ink, from one perspex plate

Artist

(1980)

drypoint

Artist: Shead, Garry. | Title: Artist and model | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

Artist and model | Artist and muse

etching and aquatint

Artist: McCulloch, Alan. | Title: Artist and patron | Date: 1937 | Technique: etching

Alan Mcculloch (1907–1992)

Artist and patron

(1937)

etching

Artist: Henigan, Patrick. | Title: Artist and studio | Date: 1987 | Technique: lithograph, printed in black ink, from one stone

Patrick Henigan (1925–2018)

Artist and studio

(1987)

lithograph

Artist: Henigan, Patrick. | Title: Artist and studio | Date: 1987 | Technique: lithograph, printed in black ink, from one stone

Patrick Henigan (1925–2018)

Artist and studio

(1987)

lithograph

Artist: Friedensen, Thomas. | Title: Artist in his studio. | Date: 1912 | Technique: etching, printed brown ink with plate-tone, from one plate

Thomas Friedensen (1879–1931)

Artist in his studio.

(1912)

etching

Artist: VARIOUS ARTISTS | Title: Artist name page. | Date: (1992) | Technique: screenprint, printed in black ink, from one stencil

VARIOUS ARTISTS

Artist name page.

((1992))

screenprint

Title: Artist's blind stamp

Artist's blind stamp

Artist: Spill, Nicholas. | Title: Artist's book documenting four performances, Survival, Rape. Suzette, Getting plastered, Last performance consisting of [47] pp. | Date: 1978 | Technique: photographic reproductions

Nicholas Spill (1950–)

Artist's book documenting four performances, Survival, Rape. Suzette, Getting plastered, Last performance consisting of [47] pp.

(1978)

photographic reproductions

Artist: UNKNOWN | Title: Artist's Carnival Prisoners of War Fund 27 March | Date: 1940s | Technique: poster paint

UNKNOWN

Artist's Carnival Prisoners of War Fund 27 March

(1940s)

poster paint