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WORKS 8741 – 8760 of 32053 IMAGES ONLY
Artist: MEYER, Bill | Title: Forest rising | Date: 1986 | Technique: photo-screenprint, printed in colour, from eight stencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Forest rising

(1986)

photo-screenprint

Artist: Meredith, Louisa Anne. | Title: Forest solitude [title page] | Date: 1860 | Technique: lithograph, printed in brown ink, from one stone

Louisa Anne Meredith (1812–1895)

Forest solitude [title page]

(1860)

lithograph

Artist: MEYER, Bill | Title: Forest survivor | Date: 1992 | Technique: etching, printed in brown-black charbonnel ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Forest survivor

(1992)

etching

Artist: McKenna, Noel. | Title: Forest's edge | Date: 1991 | Technique: etching, printed in black ink, from one plate | Copyright: © Noel McKenna

Noel Mckenna (1956–)

Forest's edge

(1991)

etching

Artist: von Guérard, Eugene | Title: Forest, Cape Otway Ranges | Date: (1866 - 68) | Technique: lithograph, printed in colour, from multiple stones [or plates]

Eugene Von Guérard (1811–1901)

Forest, Cape Otway Ranges

((1866 - 68))

lithograph

Artist: Schlitz, Michael. | Title: Forester | Date: 2005 | Technique: woodcut, printed in black ink, from one block

Michael Schlitz (1967–)

Forester

(2005)

woodcut

Artist: Olsen, John. | Title: Forever the snake | Date: 1978 | Technique: etching and aquatint, printed in green/brown ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Forever the snake

(1978)

etching and aquatint

Artist: Elliott, Fred W. | Title: Foreword | Date: 1997, February | Technique: photo-lithograph, printed in black ink, from one stone | Copyright: By courtesy of the artist

Fred W. Elliott

Foreword

(1997, February)

photo-lithograph

Artist: Flett, James. | Title: Foreword. | Date: 1931 | Technique: letterpress

James Flett (1906–1986)

Foreword.

(1931)

letterpress

Title: Forget your last thought | Date: 1970 | Technique: pen and ink on typescript on offset-lithograph and xerox

Forget your last thought

(1970)

pen and ink on typescript on offset-lithograph and xerox

Artist: TIPPING, Richard | Title: Form 1 planet. | Date: 1992 | Technique: screenprint, printed in colour, from three stencils

Richard Tipping (1949–)

Form 1 planet.

(1992)

screenprint

Artist: RICHARDSON, Berris | Title: Form I | Date: 1975 | Technique: lithograph, printed in colour, from two plates

Berris Richardson (1945–1988)

Form I

(1975)

lithograph

Artist: RICHARDSON, Berris | Title: Form II | Date: 1975 | Technique: lithograph, printed in colour, from two stones [or plates]

Berris Richardson (1945–1988)

Form II

(1975)

lithograph

Artist: RICHARDSON, Berris | Title: Form III | Date: 1975 | Technique: lithograph, printed in brown ink, from one plate

Berris Richardson (1945–1988)

Form III

(1975)

lithograph

Artist: Kemp, Roger. | Title: Form in motion | Date: c.1974 | Technique: etching, printed in black ink, from one zinc plate

Roger Kemp (1908–1987)

Form in motion

(c.1974)

etching

Artist: Hardy, Cecil. | Title: Form mutation II | Date: 1969 | Technique: screenprint, printed in colour, from four stencils

Cecil Hardy (1929–)

Form mutation II

(1969)

screenprint

Artist: Backen, Earle. | Title: Form suspended B. | Date: 1963 | Technique: etching and aquatint, printed in colour

Earle Backen (1927–2005)

Form suspended B.

(1963)

etching and aquatint

Title: Formal hit | Date: c.1980-81 | Technique: screenprint, printed in colour, from multiple stencils

Formal hit

(c.1980-81)

screenprint

Artist: Burgess, Peter. | Title: formalist: smart foil. | Date: 2001 | Technique: computer generated inkjet prints, printed in colour, from digital files

Peter Burgess (1952–)

formalist: smart foil. | Art & letters, Part 1

(2001)

computer generated inkjet prints

Artist: SCHMEISSER, Jorg | Title: Formation | Date: 2002 | Technique: etching and aquatint, printed in blue/black ink, from one plate | Copyright: © Jörg Schmeisser

Jorg Schmeisser (1942–2012)

Formation

(2002)

etching and aquatint