Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

WORKS 7021 – 7040 of 32050 IMAGES ONLY

Sort By:

Results per page:

Artist: Anceschi, Eros. | Title: Eagle rock | Date: 1986 | Technique: aquatint, printed in black ink, from one plate

Artist: MEYER, Bill | Title: Eagle rock (stony risings) | Date: 1988 | Technique: screenprint, printed in twelve colours from one direct emulsion reduction screen and two hand drawn with charcoal on acetate for indirect photo stencils | Copyright: © Bill Meyer

Artist: Angas, George French. | Title: Eagle-Hawk Gully. Bendigo. | Date: 2 October 1852 (published this day) | Technique: lithograph, printed in colour, from three stones

Artist: Gilbert, Kevin. | Title: Eagles at bay | Date: 1967 | Technique: linocut, printed in black ink, from one block

Artist: Krone, Bernadette | Title: Eamonn Ned O'Connor: Irish Hunger Striker...Ireland unfree shall never be at peace | Date: 1981 | Technique: screenprint, printed in colour, from three stencils

Artist: Barwell, Geoff. | Title: (Early bird). | Date: (1955) | Technique: linocut, printed in black ink, from one block

Artist: Parnaby, Beth. | Title: Early coal mines in Newcastle | Date: 1985 | Technique: etching and colour lithograph

Artist: Thompson, Maureen. | Title: Early Days | Date: c.2001 | Technique: linocut, printed in black ink, from one block

Artist: Free Milk Workshop. | Title: Early Masks - an exhibition of artwork by children. | Date: 1984 | Technique: screenprint and cardboard print, printed in colour, from five stencils

Artist: Ruys, Allan. | Title: Early MAUM Spring Fair | Date: 1981 | Technique: screenprint, printed in colour, from three stencils

Artist: Jones, Henry Gilbert. | Title: Early Melbourne 1841-1845. | Date: c.1845 | Technique: etchings, printed in black ink, each from one copper plate

Artist: Whitelocke, Nelson P. | Title: Early morning. | Date: 1885 | Technique: lithograph, printed in colour, from two stones

Artist: OGILVIE, Helen | Title: Early morning | Date: 1935 | Technique: wood-engraving, printed in black ink, from one block

Artist: Loder, Liz. | Title: Early morning | Date: 1984 | Technique: soft ground and hardground-etching, aquatint and drypoint, printed in black ink with plate-tone, from one plate

Title: Early morning shadow, Pilborough | Date: 1988 | Technique: linocut, printed in colour, from mutliple blocks

Artist: Platt, Austin. | Title: Early morning walk, Centennial Park | Date: 1980 | Technique: etching, printed in black ink, from one plate

Artist: Rose, David. | Title: Early morning, Bateau Bay | Date: 1995 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Pearson, Ian. | Title: Early morning, Brooklyn | Date: 1979 | Technique: photo-screenprint, printed in colour, from multiple stencils

Artist: Rose, David. | Title: Early morning, Little Bay | Date: 2001 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Rose, David. | Title: Early morning, Toowoon Bay | Date: 1997 | Technique: screenprint, printed in colour, from multiple screens

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login