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WORKS 6541 – 6560 of 32051 IMAGES ONLY
Artist: MEYER, Bill | Title: Disintegrative landscape | Date: 1982 | Technique: screenprint, printed in five colours, from five screens (including a set of four colour seperating screens) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Disintegrative landscape

(1982)

screenprint

Artist: Wonderful Art Nuances Club (WANC). | Title: Dismissal notice; you've got a friend. (Poster supporting SEC manintenance workers' strike, La Trobe Valley, Victoria, 1977) | Date: (1977) | Technique: linocut, printed in dark green ink, from one block

Wonderful Art Nuances Club (WANC). (1976–)

Dismissal notice; you've got a friend. (Poster supporting SEC manintenance workers' strike, La Trobe Valley, Victoria, 1977)

((1977))

linocut

Artist: MARCSTA, | Title: DisObey. | Date: 2003 | Technique: printed in black and red ink, from one stencil

MARCSTA,

DisObey.

(2003)

printed in black and red ink

Title: Disobey [sticker] | Technique: screenprint, printed in red and black ink, from two stencils

Disobey [sticker]

screenprint

Artist: UNKNOWN | Title: Disorientation Follies presents a swine nite. | Date: 1976 | Technique: screenprint, printed in purple ink, from one stencil

UNKNOWN

Disorientation Follies presents a swine nite.

(1976)

screenprint

Artist: UNKNOWN | Title: Disorientation Follies presents a swine nite. | Date: 1976 | Technique: screenprint, printed in dark green ink, from one stencil

UNKNOWN

Disorientation Follies presents a swine nite.

(1976)

screenprint

Artist: Watson, Judy. | Title: Dispersal | Date: 2000 | Technique: etching, printed in black ink, from one plate

Judy Watson (1959–)

Dispersal

(2000)

etching

Artist: Leti, Bruno. | Title: Displaced garden | Date: 1987 | Technique: lithograph, printed in colour, from four stones

Bruno Leti (1941–)

Displaced garden

(1987)

lithograph

Artist: UNKNOWN | Title: Displaced objects photographs by Chris Barry. | Date: 1986 | Technique: offset-lithograph

UNKNOWN

Displaced objects photographs by Chris Barry.

(1986)

offset-lithograph

Artist: BALDESSIN, George | Title: Displaced personage. | Date: 1964 | Technique: etching, aquatint and engraving tool, printed in black ink, from one plate

George Baldessin (1939–1978)

Displaced personage.

(1964)

etching

Artist: Fairskye, Merilyn. | Title: Displacements - Palestinian / Northern Irish / Aboriginal. | Date: c.1984 | Technique: screenprint, printed in black ink, from one stencil | Copyright: © Merilyn Fairskye

Merilyn Fairskye (1950–)

Displacements - Palestinian / Northern Irish / Aboriginal.

(c.1984)

screenprint

Artist: Shearer, Mitzi. | Title: Display | Date: 1980 | Technique: etching, drypoint printed in black ink with plate-tone, from one plate

Mitzi Shearer (1909–1995)

Display

(1980)

etching

Title: Disposable camera | Date: 2010, January

Disposable camera

(2010, January)

Artist: Arbuz, Mark. | Title: Disposable glove with birdseed: from the portfolio Rare birds with sticky wings. | Date: 1978 | Technique: collage of birdseed

Mark Arbuz (1953–)

Disposable glove with birdseed: from the portfolio "Rare birds with sticky wings".

(1978)

collage of birdseed

Artist: Hinton-Bateup, Alice. | Title: Dispossessed. | Date: 1986 | Technique: screenprint, printed in colour, from multiple stencils

Alice Hinton-Bateup (1950–)

Dispossessed.

(1986)

screenprint

Artist: Seidel, Brian | Title: Disrobing | Date: 1959 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: This work appears on screen courtesy of the artist and copyright holder

Brian Seidel (1928–2019)

Disrobing

(1959)

lithograph

Artist: Dickerson, Robert. | Title: Disrobing. | Date: 1992 | Technique: etching and aquatint, printed in black ink, from one zinc plate

Robert Dickerson (1924–2015)

Disrobing.

(1992)

etching and aquatint

Artist: Stark, Al. | Title: Dissenta. | Date: 2004 | Technique: stencil, printed in colour, from multiple stencils

Al Stark (1972–)

Dissenta.

(2004)

stencil

Artist: Lycett, Joseph. | Title: Distant view of Hobart Town, Van Diemen's Land, from Blufhead. | Date: 1825 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

Distant view of Hobart Town, Van Diemen's Land, from Blufhead.

(1825 (imprint))

etching

Artist: Lycett, Joseph. | Title: Distant view of Sydney, from the light house of South Head, New South Wales. | Date: 1 April 1825 (imprint) | Technique: aquatint, etching, hand-coloured

Joseph Lycett (1775–1828)

Distant view of Sydney, from the light house of South Head, New South Wales.

(1 April 1825 (imprint))

aquatint