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WORKS 6241 – 6260 of 32118 IMAGES ONLY
Artist: MADDOCK, Bea | Title: Demonstration drypoint (Bending figure) | Date: 1967 | Technique: drypoint and etching, printed in black ink, from one plate

Bea Maddock (1934–2016)

Demonstration drypoint (Bending figure)

(1967)

drypoint and etching

Artist: MADDOCK, Bea | Title: Demonstration steelplate etching [walking]. | Date: 1968 | Technique: open bite and line-etching, printed in black ink, from one steel plate

Bea Maddock (1934–2016)

Demonstration steelplate etching [walking].

(1968)

open bite and line-etching

Title: Demonstration woodcut [figures] | Date: 1968 | Technique: woodcut, printed in black ink, from one plywood block by hand-burnishing

Demonstration woodcut [figures]

(1968)

woodcut

Artist: Sachs, Bernhard. | Title: Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian). | Date: 1995, May | Technique: lift-ground, spit-bite, aquatint, roulette, burnish, drypoint and lithograph | Copyright: © Bernhard Sachs

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lift-ground

Artist: Sachs, Bernhard. | Title: Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian). | Date: 1995, May | Technique: lithograph, printed in cream ink, from one plate; lift ground, spit bite, aquatint, roulette, burnish and drypoint, printed in colour, from multiple plates | Copyright: © Bernhard Sachs

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lithograph

Artist: Sachs, Bernhard. | Title: Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian). | Date: 1995, May | Technique: lift-ground, spit-bite, aquatint, roulette, burnish, drypoint and lithograph | Copyright: © Bernhard Sachs

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lift-ground

Artist: Sachs, Bernhard. | Title: Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian). | Date: 1995, May | Technique: lithograph, printed in cream ink, from one plate; lift ground, spit bite, aquatint, roulette, burnish and drypoint, printed in colour, from multiple plates | Copyright: © Bernhard Sachs

Bernhard Sachs (1954–2022)

Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).

(1995, May)

lithograph

Artist: Counihan, Noel. | Title: Demonstrator. | Date: 1978, July | Technique: woodcut, printed in black ink, from one block

Noel Counihan (1913–1986)

Demonstrator.

(1978, July)

woodcut

Artist: Counihan, Noel. | Title: Demonstrator. | Date: 1978, July | Technique: woodcut, printed in black ink, from one block

Noel Counihan (1913–1986)

Demonstrator.

(1978, July)

woodcut

Artist: Counihan, Noel. | Title: Demonstrator. | Date: 1978, July | Technique: woodcut, printed in black ink, from one block

Noel Counihan (1913–1986)

Demonstrator.

(1978, July)

woodcut

Artist: Counihan, Noel. | Title: Demonstrator. | Date: 1978, July | Technique: linocut, printed in black ink, from one block

Noel Counihan (1913–1986)

Demonstrator.

(1978, July)

linocut

Artist: MEYER, Bill | Title: Demonstrator II | Date: 1971 | Technique: screenprint, printed in five colours, from one hand cut screen, one open screen and one photo ortho screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

Demonstrator II

(1971)

screenprint

Artist: MEYER, Bill | Title: Demonstrator No. 1 | Date: 1971 | Technique: screenprint, printed in colour, from eightstencils | Copyright: © Bill Meyer

Bill Meyer (1942–)

Demonstrator No. 1

(1971)

screenprint

Artist: MEYER, Bill | Title: Dendron | Date: 1969 | Technique: etching, aquatint and drypoint, printed in orange ink, from one plate | Copyright: © Bill Meyer

Bill Meyer (1942–)

Dendron

(1969)

etching

Artist: ARNOLD, Raymond | Title: Denise Campbell - An exhibition of paintings and prints. | Date: 1986-87 | Technique: screenprint, printed in colour, from three stencils

Raymond Arnold (1950–)

Denise Campbell - An exhibition of paintings and prints.

(1986-87)

screenprint

Artist: Johnson, Tim. | Title: Deniz Tek | Date: 1979 | Technique: screenprint, printed in colour, from two stencils | Copyright: © Tim Johnson

Tim Johnson (1947–)

Deniz Tek

(1979)

screenprint

Artist: Johnson, Tim. | Title: Deniz Tek | Date: 1979 | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Tim Johnson

Tim Johnson (1947–)

Deniz Tek

(1979)

screenprint

Artist: Peart, John. | Title: Denizons | Date: 2005 | Technique: etching, sugar-lift, aquatint and open-bite, printed in colour, from four plates

John Peart (1945–2013)

Denizons

(2005)

etching

Artist: Peart, John. | Title: Denizons III | Date: 2004 | Technique: etching, aquatint and open-bite, printed in black ink, from one plate

John Peart (1945–2013)

Denizons III

(2004)

etching

Artist: Ewert, Christine. | Title: Dental orchestrial sing-a-long. | Date: 1984 | Technique: etching, printed in black ink with plate-tone, from one plate; hand-coloured

Christine Ewert (1957–)

Dental orchestrial sing-a-long.

(1984)

etching