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WORKS 5841 – 5860 of 32051 IMAGES ONLY
Artist: WALKER, Murray | Title: Curious. | Date: 1977 | Technique: etching and aquatint, printed in black ink, from one plate

Murray Walker (1937–)

Curious.

(1977)

etching and aquatint

Artist: Shearer, Mitzi. | Title: Curious eyes | Date: 1981 | Technique: etching, printed in black ink, from one plate

Mitzi Shearer (1909–1995)

Curious eyes

(1981)

etching

Artist: HARMS, Ron | Title: Curls for Keeps. | Date: 1979

Ron Harms

Curls for Keeps.

(1979)

Artist: Shead, Garry. | Title: Currawong | Date: 1991-94 | Technique: etching and aquatint, printed in green and brown inks, from two plates | Copyright: © Garry Shead

Garry Shead (1942–)

Currawong

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: Currawong | Date: 1991-94 | Technique: etching and aquatint, printed in black ink from one plate. | Copyright: © Garry Shead

Garry Shead (1942–)

Currawong

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: Currawong | Date: 1991-94 | Technique: etching and aquatint, printed in green and brown inks, from two plates | Copyright: © Garry Shead

Garry Shead (1942–)

Currawong

(1991-94)

etching and aquatint

Artist: LINDSAY, Lionel | Title: 'Currency Lass' stables, Parramatta | Date: 1920 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

'Currency Lass' stables, Parramatta

(1920)

etching

Artist: BALDESSIN, George | Title: Curtain. | Date: 1970 | Technique: etching and aquatint, printed in black ink, from two plates; stencil, printed in green ink, from one stencil.

George Baldessin (1939–1978)

Curtain. | Window and Curtain

(1970)

etching and aquatint

Artist: Warren, Guy. | Title: Curtain. | Date: 1987 | Technique: linocut, printed in black ink, from one block

Guy Warren (1921–2024)

Curtain.

(1987)

linocut

Artist: Lee, Graeme. | Title: Curtain person | Date: 1997, August | Technique: lithograph, printed in colour, from four stones

Graeme Lee (1990–)

Curtain person

(1997, August)

lithograph

Artist: REDDINGTON, Charles | Title: (Curtains) | Date: (1987) | Technique: lithograph, printed in black ink, from one stone [or plate]

Charles Reddington (1929–)

(Curtains)

((1987))

lithograph

Title: Curves showing the horary motions for April, 1859. | Date: 1860 | Technique: lithograph, printed in blue and red ink, from one stone

Curves showing the horary motions for April, 1859.

(1860)

lithograph

Artist: Sharp, James. | Title: Cuspate form | Date: 1972 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © Estate of James Sharp

James Sharp (1905–1985)

Cuspate form

(1972)

lithograph

Artist: Freedman, Harold. | Title: Customs House - Yarra River - Queens Bridge. | Date: 1962 | Technique: lithograph

Harold Freedman (1915–1999)

Customs House - Yarra River - Queens Bridge.

(1962)

lithograph

Artist: Jack, Kenneth. | Title: Customs House, Brisbane | Date: 1965 | Technique: screenprint, printed in colour, from 12 stencils | Copyright: © Kenneth Jack. Licensed by VISCOPY, Australia

Kenneth Jack (1924–2006)

Customs House, Brisbane

(1965)

screenprint

Artist: MEYER, Bill | Title: Cuts and little floating bits | Date: 1981 | Technique: photo-etching, aquatint, drypoint, printed in black ink, from one zinc plate (pre-coated photo-engraving mitsui) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cuts and little floating bits | Cuts and little floating things

(1981)

photo-etching

Artist: Faulkner, Sarah | Title: Cutting cane | Date: 1992 | Technique: lithograph, printed in black ink, from one stone

Sarah Faulkner (1959–)

Cutting cane

(1992)

lithograph

Artist: MEYER, Bill | Title: Cutting in space | Date: 1981 | Technique: etching and aquatint, printed in black ink, from one zinc plate (mitsui, precoated photo-engraving) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cutting in space

(1981)

etching and aquatint

Artist: MEYER, Bill | Title: Cutting the concrete softness | Date: 1981 | Technique: screenprint, printed in seven colours, from six screens (half tone photo images and indirect hand-cut stencils) | Copyright: © Bill Meyer

Bill Meyer (1942–)

Cutting the concrete softness

(1981)

screenprint

Artist: Armstrong, Ian. | Title: (Cutting toenails). | Date: 1950s | Technique: etching, drypoint printed in brown ink (from one plate)

Ian Armstrong (1923–2005)

(Cutting toenails). | Putting on shoes

(1950s)

etching